Tag Archives: Viggo Mortensen

A Dangerous Method | Film Review

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This film about the birth of psychoanalysis is a triumph. An intelligent and though-provoking film with wonderful performances by Michael Fassbender, Viggo Mortensen and Keira Knightley. Fassbender plays Jung when he was 29 and just married to a wealthy women called Emma. He was working at a hospital in Zurich in 1904 when he met Sabina Spielrein, an 18-year-old Russian Jew who is admitted in a deeply distressed condition.

Jung is attracted and fascinated by Sabina and after Freud sends him Otto Gross, (Vincent Cassel), as a patient, Jung comes under his influence and enters into an unprofessional relationship with Sabina. Gross was himself a psychiatrist in his 20s and suffered from dementia praecox (as schizophrenia was then known).

Jung cures Sabina with the “talking cure”, or psychoanalysis, then being used in Vienna by the 48-year-old Sigmund Freud (Viggo Mortensen), a well-established but highly controversial figure.

Sigmund Freud thought of Carl Jung as his natural heir, but relationships between the two men became strained.

This film is a very good historical film from David Cronenberg. I believe this film is the best Cronenberg has ever made.

Freud sees himself as the father that Jung wishes to destroy. Jung believes that psychoanalysis may save the world.

As the film ends Jung tells Sabina about dreams of the apocalypse. This film ends just before the first world war so Jung was accurate about an apocalypse. The legacy of Freud and Jung is evident in the film. They still affect not only psychoanalysis but our everyday lives. Sabina becomes a celebrated psychologist in the Soviet Union, but, sadly, becomes an early victim of the holocaust along with her two daughters.

A Dangerous Method is available on DVD and Digital Download from June 25th.

CANNES 2012 PREVIEW

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The most prestigious and coveted film festival on the planet is upon us as filmmakers, stars and journalists descend on the southern French seaside resort to view and critique some of the most anticipated films of the year. Of course I cannot be going myself; the rigour of the festival is said to drive even the most dedicated of film journalists to the edge let alone a beginner. But I can definitely cast my eye over the selection and pick ten of them that have caught my and other cinefiles eyes. Some of these have confirmed UK release dates, others do not. Either way the calibre of these titles should see them generating plenty of buzz before their arrival on these shores.

MOONRISE KINGDOM

The seventh feature from the king of idiosyncratic American indie cinema Wes Anderson is a period piece set in the mid sixties following two runaway teenagers in love and the haphazard search party that sets out after them. Anderson stalwarts Bill Murray and Jason Schwartzman are joined by newcomers Bruce Willis, Edward Norton and Frances McDormand to name a few. Anderson’s exceptionally detailed, designed and witty directorial style may not be to all tastes but for fans of his work this is set to tick all the boxes.

LOVE

Austrian master of discomfort Michael Haneke returns to France for a tale of a couple who must care for the wife’s elderly parents. French acting legend Isabelle Huppert appears alongside William Shimmel of the magnificent Certified Copy in what would appear to be a more gentle approach for Haneke. Those familiar with his work however, will be prepared for terrible things to happen.

KILLING THEM SOFTLY

The Assassination of Jesse James was one of the most criminally underrated films of recent years so hopes are high for director Andrew Dominik and star Brad Pitt’s reunion in this gritty crime thriller about an underworld investigation into a card game heist co starring Sam Shepard, Richard Jenkins, James Gandolfini and Ray Liotta. Pitt appeared in last year’s big Cannes winner The Tree Of Life. Can he make it two in a row?

COSMOPOLIS

Robert Pattinson has the hearts of millions of Twilight fans and now we find out if he can win critical acclaim in Canadian maestro David Cronenberg’s twisted thriller about a young elitist yuppie travelling across New York City for a designer haircut and getting caught up in a dystopian, cultural revolution. Imagine a science-fiction take on American Psycho.

GRANDMASTERS

Wong Kar- wai has had glory at Cannes before with his visually lush and unconventional takes on traditional genre features with In The Mood For Love and Chungking Express. Now he turns his fine eye to a classic martial arts tale (based on the Ip Man series) with Asian superstar Tony Leung pulling all the moves.

RUST AND BONE

Jacques Audiard is known for his poetic yet brutal dramas such as A Prophet and The Beat My Heart Skipped. Hopes are high for this dramatic tale of a marine park worker crippled in an accident who finds solace with an immigrant bouncer. The magnificent Marion Cotillard plays the lead and after being sadly relegated in recent American roles she may have to clear space next to her first Oscar for La Vie En Rose…

LIKE SOMEONE IN LOVE

Abbas Kiarostami is a master of blurring the line between fiction and cinematic construct and recently had glory at Cannes with Certified Copy. Here he heads to Japan, focusing on the relationship between an aging academic and a student side-lining as a prostitute. Whatever the context of their relationship the director’s previous work dictates that appearances can be deceiving.

ON THE ROAD

Jack Kerouac’s seminal road journey novel has been rolling around studios for years and now Walter Salles of the excellent road movie The Motorcycle Diaries turns his attention to the tale of two young men making their way across fifties America. Sam Riley of the the brilliant Control appears alongside Kirsten Stewart, Kirsten Dunst, Viggo Mortensen, Elisabeth Moss and Steve Buscemi. For the cast alone this is a must see.

LAWLESS

Reminiscent of his gritty western The Proposition, Australian director John Hillcot’s latest is another tale of outlaw brothers (here in prohibition era America) whose familial bonds are pushed to the limit by the pursuing lawmen and each other. Again this is a stellar cast; Tom Hardy, Guy Pearce, Jessica Chastain and Gary Oldman to name just a few.

THE ANGEL’S SHARE

Britain’s poet of the people Ken Loach is another Cannes stalwart and this appears to balance the mix between gentle humour and gritty realism of his previous work and concerns a young tearaway who finds a chance at redemption and success in the surprisingly sophisticated world of whisky brewing and selling.

The Cannes Film Festival runs from 16 May to 27 May.