Vogue Model Exposes Financial, Physical & Exploitation in the Fashion Industry

the model manifesto, modelling, fashion industry, exploitation,

I was interested to see this book on the modeling industry. I have worked as an actor and I have also done modeling in the past. There are no words for how much I hated working as a model. I was never actually a model, but the way women are treated is awful. On the other side, I have covered London Fashion Week many times. Seeing how thin and young the models were always tugged on my conscious. 

Leanne Maskell is a warrior. This brave book she has written should be read by every model and everyone who works in the fashion industry. It should indeed become a manifesto. Bravo to Leanne. I hope she sells millions of copies of this book. 

The Life of a Model: Physical, Financial and Emotional Exploitation

Vogue model releases an A-Z anti-exploitation manual for the fashion industry

Why this book matters:

  • Exploitation has become accepted in the industry, with 29.7% of models being inappropriately touched on a shoot and 28% of models facing pressure to sleep with someone at work.
  • Over half of all models start working before they are 16, yet America is the only country to legally enforce breaks, chaperones and limit working hours. The lack of restrictions led to 14-year-old model Vlada Dzyuba working herself to death in 2017.
  • The pressure on models to lose weight and the constant rejection from clients can leave them vulnerable to mental illness, with 31% suffering from eating disorders and 68% from anxiety and/or depression.
  • Models face intense financial exploitation, with hidden contracts signed on their behalf meaning agencies in the UK take as much as 45% commission and can charge required expenses such as transport, personal trainers, nutritionists and hairdressers to the model without their prior knowledge or consent.
  • Modelling can be very dangerous, with 77% of models said they had been exposed to alcohol or drugs while on a job and 50% exposed to cocaine.

Sixteen hour working days, forced onto starvation diet plans, waiting months to be paid, no changing rooms, hair bleached beyond repair, made to strip naked at work, swallowing cotton wool soaked in water to curb your appetite – this is the ugly truth behind the life of a model.

 

Leanne Maskell is the author of The Model Manifesto, an A to Z anti-exploitation manual to the fashion industry which aims to educate current and aspiring models on how to find success and avoid the pitfalls of physical, financial, and emotional exploitation.

 

The book’s advice covers essential topics every model needs to know including: finding the right agency, creating a portfolio, understanding tax, working aboard, the role of social media, avoiding hidden agency expenses and knowing your own legal rights.

 

Leanne Maskell, author, Vogue model and activist.

 

Leanne started modelling at the age of thirteen, working for clients such as Vogue and London Fashion Week. Now, with 13 years of experience working regularly for clients such as ASOS, Amazon and New Look, she has created a book to give models the information she wished she had been provided with throughout her career.

 

While she loved her career, she frequently suffered from exploitation, including two men changing her into tights on a shoot when she was 13, having her drink spiked, being heavily pressured into shooting revealing imagery and being sent to a hotel room for a “casting” for escorts by her agency. The cost of Leanne’s successful career was suffering from anorexia, bulimia and severe depression.

 

Leanne empowered herself by studying Law at University and has combined her legal and modelling experience to empower other models in the hope that they do not encounter the same pitfalls as she has. Whilst writing The Model Manifesto, she created policies to improve the modelling industry which has led to a legal career advising on immigration law & mental health law policy.

 

The Model Manifesto has been written to protect the 99% of models that don’t make it big – the ones who are treated as disposable objects. It also aims to educate those who wish to be models on how to avoid exploitation, empower themselves and enjoy the benefits of the job.” – Leanne Maskell

 

The Model Manifesto by Leanne Maskell is out 02 May 2019 and is priced at £14.99. To find out more go to: www.themodelmanifesto.com

S.Pellegrino Presents Limited Edition Bottle Dedicated To Vogue Italia

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S.Pellegrino presents its new special limited edition bottle dedicated to Vogue Italia, a sparkling celebration for a global partnership to support the most talented young chefs and designers from around the world.

 

S.Pellegrino, the world famous sparkling water, synonymous with gourmet food culture, presents the new special edition bottle dedicated to Vogue Italia, that will be served on the best tables of South Africa from the end 2015.

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The bottle has been created to celebrate the extraordinary worldwide partnership of these two proud ambassadors of the Italian style and art of living. Together with the highly renowned and influential magazine, a true worldwide fashion icon, the water symbol of fine dining will give birth to a unique project, combining Italian food and style, two Italian undisputed excellences.

Some of the world’s most talented young chefs, came from different countries and joined a group of emerging designers to compete in an unexpected challenge.

Mixing together taste, art and fashion.

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The chefs were judged by an international jury that awarded the best one as S.Pellegrino Young Chef 2015 (#SPYoungChef); while the editorial staff of Vogue Italia chose the most talented designer.

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The information to participate in such unique projects is available on www.finedininglovers.com, the online magazine for food enthusiasts proudly endorsed by S.Pellegrino and Acqua Panna and the culminating event – the S.Pellegrino Young Chef 2015 took place a few months ago in Milan, where S.Pellegrino was the official water of Expo Milano 2015 and of the Italian Pavillion.

THE ESSENCE OF S.PELLEGRINO…

S.Pellegrino has made its presence known, thanks to its lively and long-lived bubbles, which feel creamy on the palate, and a slightly salty taste, well-balanced with acidity for an overall refreshing, and thirst-quenching feel. A perfect drink for a flavorful meal, to balance a full-bodied wine or to sample on its own, its middle-size bubbles, persistent carbonation and rich minerality make it one of the most renowned mineral waters in the world. Thanks to its persistent effervescence, it brings out the best in the tastiest dishes and aromas.

www.corinne-modelling.co.uk

Corinne@frostmagazine.com

@ladycdtt

Anna Wintour Quotes

Anna Wintour QuotesAnna Wintour is the British Editor-in-Chief of American Vogue and has been for the past 25 years. What she doesn’t know about fashion is not worth knowing. Talented, fierce and fashionable. She is incredibly inspirational. Have a read of some of her quotes below and feel inspired. 

 

“I look for strong people. I don’t like people who’ll say yes to everything I might bring up. I want people who can argue and disagree and have a point of view that’s reflected in the magazine. My dad believed in the cult of personality. He brought great writers and columnists to ‘The Standard.”

 

“I’m very good at delegating – people work much better when they have a real sense of responsibility. But at the same time, I don’t like surprises. I don’t pore over every shoot, but I do like to be aware at all times of what’s going on.”

 

If one comes across sometimes as being cold or brusque, it’s simply because I’m striving for the best.”

 

“There is something about fashion that can make people really nervous.”

 

“I wasn’t academically successful. And maybe I’ve spent a lot of my career trying to make up for that.”

 

“Create your own style… let it be unique for yourself and yet identifiable for others.”

 

‘Vogue’ is a fashion magazine, and a fashion magazine is about change.”

 

“The notion that a contemporary woman must look mannish in order to be taken seriously as a seeker of power is frankly dismaying. This is America, not Saudi Arabia.”

 

“I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we’re doing. By investing in them, I’m investing in the magazine. All over ‘Vogue,’ ‘Teen Vogue,’ and ‘Men’s Vogue,’ there are people who have been through not only my office but also many other offices at ‘Vogue.'”

 

My father was a newspaper editor, so I was surrounded by journalists my entire life. I think the fact that he was so well known may be why I chose to go into magazines and move to the States at a young age.

 

“It’s always about timing. If it’s too soon, no one understands. If it’s too late, everyone’s forgotten.”

 

“I don’t really follow market research. In the end, I respond to my own instincts.”

 

“You either know fashion or you don’t.”

 

“Because of reality television and all these celebrities thinking they can be designers, everyone imagines that they can just become a designer, photographer, or model, but that’s not the way things work. People have to go to school, learn their craft, and build a brand – that’s the right, healthy way to do things.”

 

I want ‘Vogue’ to be pacy, sharp, and sexy – I’m not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She’s interested in business and money.

 “If you look at any great fashion photograph out of context, it will tell you just as much about what’s going on in the world as a headline in The New York Times.”

 

“Just be true to yourself, and listen as much as one is able to to other people whose opinions you respect and look up to but in the end it has to come from you. You can’t really worry too much by looking to the left and the right about what the competition is doing or what other people in your field are doing. It has to be a true vision.”

 

“I think possibly what people working for one hate the most is indecision. Even if I’m completely unsure, I’ll pretend I know exactly what I’m talking about and make a decision. The most important thing I can do is try and make myself very clearly understood.”

 

“[The democratisation of luxury] means more people are going to get better fashion. And the more people who can have fashion, the better.”

 

“It’s very important to take risks. I think that research is very important, but in the end you have to work from your instinct and feeling and take those risks and be fearless. When I hear a company is being run by a team, my heart sinks, because you need to have that leader with a vision and heart that can move things forward.”

 

“Fashion’s not about looking back. It’s always about looking forward.”

 

“In the end I do respond to my own instincts. Sometimes they’re successful, and obviously sometimes they’re not. But you have to, I think, remain true to what you believe in.”

 

“Part of the pleasure of editing ‘Vogue,’ one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.”

 

“Fashion is not beautiful, neither is it ugly. Why should it be either? Fashion is Fashion”

 

“To be in ‘Vogue’ has to mean something. It’s an endorsement. It’s a validation.”

 

“I surround myself with a talented group of people that are opinionated and interesting. I try to remain very open to what others have to say.”

 

 

 

 

Emma-Jane Photography | Wedding Photography

Out of all of the things to get right on your wedding, the photography is very important. Why spend all of that money and not capture the day properly. Your wedding photographs will be something that even your grandchildren will look at. The pressure to get them right can be tremendous.

My husband and I got very lucky. I met Emma-Jane at a press event and she was an easy choice as our wedding photographer. Talented, friendly and professional. She wasn’t just a photographer on the day, she was someone who was calm and unflappable, she was endlessly helpful and managed every crisis that came her way. She has a great eye and her pictures are just stunning.

She took this picture of me. She managed to capture the light perfectly.

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I can’t stop gushing about her. Emma does other photography and has been in Tatler, Hello and this magazine you are reading now. She is endlessly talented and I can recommend her for any photography project you have, including the one on the most important day of your life.

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http://www.emma-janephotography.co.uk

 

 

Anna Wintour Answers 73 Questions And It Is Brilliant

Anna Wintour doesn’t give many interviews and has always been something of a fashion enigma. Which is why we absolutely love this amazing video where she is asked 73 questions whilst going about her business. She talks about Brooklyn, the Rumors, and the One Thing She Will Never Wear. Her favourite comedian might also surprise you but let’s just say, go Britain!

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What did you think?

Rita Ora For Roberto Cavalli

Rita Ora looks stunning in Roberto Cavalli’s autumn/winter 2014 campaign. With her signature platinum blonde look, she looks as glamorous as ever.

Rita Ora for Roberto Cavalli campaign

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The 23-year-old recently split with Calvin Harris and is now apparently dating Tommy Hilfilger’s son, Ricky.

Rita Ora for Roberto Cavalli campaign

Rita Ora for Roberto Cavalli campaign

Rita shared pictures of the ads on her Instagram in April.

Rita Ora for Roberto Cavalli campaign

The ads were shot by Vogue photographer Francesco Carrozzini in New York. Under the creative eye of Eva Cavalli.

Yesterday Rita posted an Instagram photo from the campaign stating: “RitaOraforCavalli Finally it’s OUT! Madonna Mia!! I love you @robertcavalli @eva_cavalli This collaboration is a huge Honour.”

Multi-talented Rita will also be in the new 50 Shades of Grey film.

 

 

Anna Wintour Throws Stylish Wedding For Son

American Vogue editor Anna Wintour hosted a predictably stylish and extravagant wedding for her son, Charlie Shaffer, at her Long Island Estate. The wedding even had its own hashtag #masticinlove and the guests happily used it and shared away.

Credit: Lise Love Official Instagram,

Credit: Lise Love Official Instagram,

The wedding on Saturday was attended by André Leon Talley, designer Prabal Gurung, Oscar de la Renta, Mario Testino and Vogue West Coast editor Lisa Love.

Credit: Indie Rock Instagram,

Credit: Indie Rock Instagram,

Shaffer, is a third year medical student at Columbia University and his 27-year-old bride Elizabeth Cordry is associate director of product development at Jet.com.

Credit: Bee Shaffer Instagram,

Credit: Bee Shaffer Instagram,

The wedding was held at Wintour’s mid 19th-century weekend home which is known as ‘Mastic’ – hence the #masticinlove hashtag.

Credit: Prabal Gurung Instagram,

Credit: Prabal Gurung Instagram,

The bridesmaids wore Prada and sister-of-the-groom Bee Shaffer posted a picture of the bride’s Oscar de la Renta gown with the caption “always a bridesmaid”. If that was not fashionable enough all six flower girls wore matching Alexander McQueen dresses.

Credit: Bee Shaffer Instagram,

Credit: Bee Shaffer Instagram,

Wintour is thought to have worn Chanel. There was a string quartet to serenade the guests, they played from a tree house during the ceremony. There was an outdoor reception and the newlyweds danced underneath the stars for their first dance. The couple then jetted off to the Rocky Mountains for their honeymoon.

Credit:l Instagram

Credit:l Instagram

How beautiful….

Vogue Says Women Are Allowed To Have Breasts This Season

Women of the world rejoice! Vogue says we are allowed to have breasts! Yes, you got it, breasts are in this season. What we are supposed to do next season is anyones guess but lets not be ungrateful. A man can have a penis all year but breasts are, y’know, inconvenient. Just ask Fashion Designer Marios Schwab who told Tatler “I’m not a big fan of breasts. They’re a challenging constructional point.” Well, Mario, how about not designing for women then, because you know who don’t have breasts? Men.

Catherine Balavage

Vogue says in this article titled Return of The Bosom: “So if boobs are not yet an out-and-out fashion trend, they are becoming a frequent exception to the rule.” Should someone make fashion know that women’s breasts aren’t detachable? Maybe a post-it note or something? This piece clearly shows that Kate Upton is a feminist icon. Yes, you can model and be a female role model. She was deemed “too obvious” for fashion. Now some fashionistas grind their teeth every time she is featured on the cover of Vogue, as she is this month.

Vogue goes on to say: ‘Men love boobs – that’s a well-documented story we needn’t explore here. But for women, as is true for fashion, the relationship is more complicated. In short, breasts are difficult to dress. During couture week, Jourdan Dunn exclaimed on Twitter, “Ahahahahahahha I just got cancelled from Dior because of my boobs!” But, she reasoned, “I’m normally told I’m cancelled because I’m ‘coloured’ so being cancelled because of my boobs is a minor : )”‘

 

Wow. Breasts may be difficult to dress, but only because designers are so bad at accommodating them. I mean, what’s next? Hips, arms, thighs? If you can’t make women’s clothes with breasts in mind, you are clearly an untalented idiot. Something Sarah Millican wrote an amazing essay on after being trolled after the BAFTA awards.

 

In my other life as an actor, my breasts have lead to the most amusing moments in my career. I didn’t develop breasts until I was in my twenties but when they came they didn’t hold back:  my size now is 32DD. Which makes costume designers hate you. When I was a UK size 4/6 (I am now a size 8), wardrobe loved me, but when I developed breasts I would stand in the middle of the room while various costume people asked each other, ‘What are we supposed to do with those?’ The answer was usually gaffa tape them down. I am so thankful I am a strong person and that was done to me rather than someone else. I can look at it with amusement, other, emotionally fragile or vulnerable, women could possibly have developed an eating disorder. I have spent a lot of time being dressed up like a boy for parts. I have no idea why. Just hire a fricking boy if that’s what you want.

 

In fact I am rather sick of fashion expecting women to make their bodies fit the dress, rather than the other way around. Even the thinnest woman has curves, only boys are drawn in a truly straight line. We are not ornaments or hangers. In what other aspect of our lives do we pay money for something that isn’t made to suit us and our lifestyles? Instead we are expected to diet our entire lives just for the joy of wearing clothes designed by people who obviously hate the female form, and don’t even lie about it. Yet, still we punish ourselves.

 

Of course not all designers are like this. Valentino clearly loves women. As does Roberto Cavalli. Dolce & Gabbana say in the same Vogue article: “We always try to create clothes that enhance a woman’s curves. We like to think that a Dolce & Gabbana girl wants to be very feminine, sensual, strong and fierce of her body.” So let’s take a stance in the only way that really gets things done: with our money. Any designer who hates women’s bodies should not have a penny of a women’s money.

Whilst researching this piece I came across this article Hadley Freeman wrote on this subject. Check it out here and this website, a body gallery of how women really look, was interesting too.

 

What do you think?