Words for the Wounded: Review of the First Place Entry

Words for the Wounded Independent Author Book Award 2016

1st place

 

Words for the Wounded- review of the First Place entry.

 

From both ends of the stethoscope:  getting through breast cancer by a doctor who knows. By Dr Kathleen Thompson.

(published by Faito Books)

 

 

‘Such a wonderful idea to bring doctor and patient together – like making a connection between the two worlds of Alice’s looking glass….  It is both accessible, well written and honest.’  Felicity Trew. (Caroline Sheldon Literary Agency)

 

 

Getting through breast cancer – by a doctor who knows

 

We forget, perhaps, that doctors can also become patients. Dr Kathleen Thompson suspected something was wrong. She hesitated – surely not her? Finally, and reluctantly, she sought a diagnosis. It was indeed breast cancer.

 

Kathleen looks back on her cancer with honesty, humour and compassion, and with the benefit of her medical understanding and knowledge of the system. She uses her experience to guide the reader through diagnosis and treatment, both when things go smoothly, and when they don’t.

 

She explains medical research and how to assess the credibility of the numerous treatment claims, and what we can all do to protect ourselves from cancer.

 

Judge’s comments: If you know anyone who has breast cancer, if you yourself are suffering, or if you just want to know more about the commonest UK cancer, then this could be the book you didn’t know you were looking for. It will give you the comfort of knowledge, of good advice, of reassurance that cancer is not an inevitable death sentence. It will also empower you to take control of your condition.

It is such a wonderful idea to bring doctor and patient together – like making a connection between the two words of Alice’s looking glass. As a doctor, Kathleen Thompson knows how to interpret medical information, how to challenge another doctor for answers and how to interpret what her body is telling her. Or so you would think. What made this book immediately appealing was the sheer humanity of her first reaction to discovering something ‘not quite right’ with one of her breasts. She ignored it. After that it was an easy step to  join her as she adjusted to being on the wrong side of the doctor’s desk and most people would want her to be with them in the consulting room at critical moments. Failing that, just take a friend and this book.

The book does not tell you what you should do or how you should feel. It offers strategies, explains what you can expect and what you can ask for – and what you should not tolerate. It clarifies jargon and gives you choices. It tells you what you can do to help yourself in terms of diet and exercise and rest, but does not make claims that any one thing will ‘cure’ you. It’s all right to be tired, and frightened and angry. It’s not all right for doctors to tell you ‘not to worry’.  And most breast cancer sufferers survive.

From Both Ends of the Stethoscope is both accessible, well written and honest. For someone who’s enduring the after-effects of chemo- or radio-therapy, it makes life a precious fraction of a degree easier.

 

All of which makes this book an unassailable 1st place winner.

 

About Dr Kathleen Thompson:

Words for the Wounded- review of the First Place entry.kathleen

Kathleen is not only a writer but a physician, specialising in pharmaceutical drug research.

A few years ago her life changed completely, when she was diagnosed with breast cancer. This became the inspiration for her book, ‘From Both Ends of the Stethoscope’.

She has a passion for sharing her medical expertise and writes regular medical features for Frost e-Magazine. She has also written guest features for Fabafterfifty e-Magazine and a guest blog for Breast Cancer Care.

She learned a great deal from having cancer herself, and is keen to provide this insight to her readers.

She adores ballroom dancing and enjoys adventures. She has climbed Mount Kilimanjaro, walked the 500 mile Camino de Santiago and cycled through rural Rajasthan and in the mountains of Kerala.  During some of these activities she raised funds for Women v Cancer –which provides funding for three cancer charities, including Breast Cancer Care.

She has two long-suffering children, who tolerate their mother’s crazy projects, and regularly rescue her from IT catastrophes.

Kathleen is delighted to support Words for the Wounded which does such fabulous work.

 

 

Words for the Wounded Independent Author Book Award 2016 results

Words for the Wounded Independent Author Book Award 2016

Words for the Wounded Independent Author Book Award 2016 results:

This year’s competition has been an amazing experience. We received cookery books, self-help books, memoirs, young adult fiction, crime, romance – you name it, we enjoyed it. Remember that every penny of the entry fee goes to the wounded, because as you all know by now, the administrators personally absorb all costs.

Our judge, Felicity Trew of the Caroline Sheldon Literary Agency also had a high old time reading your work. Finally, after much thought and discussion the top three emerged.
Why were these chosen?

Perhaps what any judge is groping for is to find an author writing with a confidence born of practise, endless practise. This practise was evident in the winners. Surely each book had been written, then re-written, and then again,with the authors twisting and turning the words, and the images they were trying to create, until they achieved balance. Balance? Well, between pace, rhythm, tension, show not tell, and closely edited text.

In our winner, especially, there was a surety, and a ‘voice’, and that undefinable difference that makes a book, whether a non-fiction, a cookery book, a memoir, or a novel unputdownable.
It’s always a tough call, but one that has to be made. Bravo to the winners.

Over the next three days we will be publishing more about the winning authors and their novels, and the judge’s remarks. Tomorrow we will be concentrating on our 1st Place winner, the next day 2nd place, and then 3rd place. Tune in and have a look.


Results.

 

1st place

 

From both ends of the stethoscope: getting through breast cancer by a doctor who knows. By Dr Kathleen Thompson.

 

2nd place

 

The Man Who Didn’t Go To Newcastle by Alison Clink

 

3rd place


The Secret of Skara Vhore, by Jennifer M Calder

 

Highly Commended

 

Food for Thought David Croft

We’ve come to take you Home Susan Gandar

1066 What Fates Impose EK Holloway

The Spirit of London Rob Keeley

Buckinghamshire Spies and Subversives D.J. Kelly

Dead Man’s Legacy Marion Leigh

Requiem for Private Hughes Chip Tolson

Do Not Forget me Quite Richard Pike

Le-Jog-ed Robin Richards

 

Commended

 

Traditional Kurdish Food Ala Barzinji

Arnie Jenks and the House of Strangers Tim Bradley

Transform Your Communication Skills Steve Bridger

The Pomegranate Ring Simon Brian Cartlidge

The Father’s House Larche Davies

The Politician’s Daughter Marion Leigh

Little Hoglet’s Christmas Richard Middleton

Blackberry Promises Jan Moran Neil

 

 

We will be featuring the judge’s reviews of the top three, and tell you more about the authors over the next few days.

 

 

Do you know any small packages that contain some real treats | Litfest 2016

three-grannies-words-for-the-wounded-literary-festival

Well, I do. On Saturday was a case in point. In Downley, High Wycombe on 16th April I was speaking at the Words for the Wounded Literary Festival and what a fabulous day it was – yet again. I attended the event last year and was amazed at the quality of the speakers on offer. This year, small continued to be most definitely perfect.

It’s all very well going to these huge week long events on offer throughout the year but your chances of getting up close and personal with authors and agents is severely limited.  At the Words for the Wounded LitFest you won’t have to compete with hordes of people waving their hands to attract the attention of the speaker when it is time for questions. There is time enough for everyone here and you obtain one to one advice that you wouldn’t receive at other festivals. And it’s such fun, and so informal.

Normally waiting your turn is a game of chance – your turn may not come. Not so with Words for the Wounded.

elizabeth-buchan-margaret-graham

This year’s programme kicked off with the wonderful No 1 Sunday Times bestseller Elizabeth Buchan in conversation with bestselling author, Margaret Graham, who is administrator and founder of WforW. Paul Vates, professional actor, read excerpts from the works of the speakers throughout the day, and chose the first few pages of I Can’t Begin to Tell You. These two old friends talked about this novel, which is Elizabeth’s latest. If you haven’t read  I Can’t Begin to Tell You do seek out a copy, it’s absolutely gripping. Elizabeth Buchan talked of her inspiration for the story, of meeting with Noreen Riols of the SOE, and why she came to set her book in Denmark. She chatted about the writing process: getting to grips with the spine of the story, drafting and redrafting – and moving on to the next idea. Elizabeth signed books during the break and had time for a word with everyone.

jemima-hunt-penny-deacon

Penny Deacon interviewed Jemima Hunt, Writer, Editor and Agent at The Writers’ Practice. Jemima explained what a good editor can do for your book. Jemima is particularly interested in memoir and brought along a few of her authors’ books. She gave an overview of their initial approach and how she worked with them to bring the story to a better shape. She works with fiction and non-fiction and guides her writers towards the best platform to develop their writing career. You can find out more at www.thewriterspractice.com

By this time we were ready for lunch, accompanied by lashings of wine (all part of the ticket price), as was copious amounts of tea, coffee, cake and biscuits throughout the day. I cannot overstate what fantastic value it was.

tracy-baines

I kicked off the afternoon session with a talk on how to write short stories for competitions and magazines. Paul read aloud one of my stories and it was great to hear the audience reaction – positive I’m pleased to say. I sell my stories, I see them published but I’ve never known what the audience thinks of them and it was a superb confidence booster. The audience were a delight and asked lots of great questions that thankfully, I was able to answer.

catherinebalavageandmargaretgraham

The day was rounded off by the amazingly talented Catherine Balavage, proprietor of Frost Magazine. Catherine gave an insight to the trajectory of her career from actor, theatre critic and from there, establishing the magazine. She gave an overview of the pros and cons but also the relentless hard work that goes into creating a magazine in the digital age. It certainly gave me food for thought as I drove home that evening.

Margaret’s stalwart family were, as usual, beavering away in the background making sure that the event sailed along without a bump.

The grannies, led by Margaret Graham, provided us with yet another fascinating event and the lovely thing was, that while we were sat on our bottoms, drinking wine and having fun we were helping raise money for wounded troops. Now that’s my kind of fundraising.

www.wordsforthewounded.co.uk

www.elizabethbuchan.com

www.thewriterspractice.com

www.margaret-graham.com

www.tracybaines.co.uk 

www.frostmagazine.com

 

Frost Editor Catherine Balavage Tells All You Need To Know About Blogging

The Ultimate Guide To Becoming a Successful Blogger , blogging, blogs, how to be a successful blogger, blogger, blogging, Catherine BalavageIn a new Frost series Catherine Balavage will be covering everything you need to know about being a successful blogger and running a successful blog. Hot on the heels of releasing her book on blogging, Catherine will be doing a talk on blogging at Litfest, the esteemed literary festival founded by contributing editor Margaret Graham. All proceeds from Litfest go to Words For The Wounded so come along if you can. It is this Saturday (16th April 2016).

If you have any questions on blogging then please send them along to us at frostmagazine@gmail.com or tweet us at @Frostmag. Blogging is huge now and allows you to create a brand, earn a living or even work from home. Keep coming back to Frost for the knowledge to help you achieve your dreams.

You can buy The Ultimate Guide To Becoming a Successful Blogger here

 

 

Words for the Wounded Host Their Annual LitFest Literary Festival

Words for the Wounded Host Their Annual LitFest Literary Festivallogo

Great excitement – Words for the Wounded which raises funds for wounded troops and veterans by creating  opportunities for aspiring writers and readers is holding its annual LitFest again on April 16th.

The WforW LitFest Day will be held as always at the lovely Downley Community Centre, School Close, Downley, High Wycombe HP13 5TR
10.00am to 5.00pm.

As everyone knows by now, the three grannies, Margaret Graham,  Jan Speedie (both Frost Magazine writers) and Penny Deacon absorb all the costs of the charity and therefore 100% of everything they raise goes to where it should.

Words for the Wounded Host Their Annual LitFest Literary Festival

The speakers this year are:  Sunday Times No 1 bestselling author and a patron of WforW –  Elizabeth Buchan talking about her work.

Words for the Wounded Host Their Annual LitFest Literary Festivalelizabeth buchanan

Jemima Hunt, editor and literary agent, and director of The Writers’ Practice with advice on editing your work and attracting an agent.
Tracy Baines, successful women’s magazine  short story writer with tips about getting published.

Catherine_Balavage_023
Further excitement as Catherine Balavage, blogger and editor of Frost Magazine will be joining the day to talk about blogging, running a magazine, and her various successful books.

Paul Vates, the brilliant actor, and friend of Words for the Wounded, will be reading from the work of our speakers.

Sharon Bennett will be displaying her art.

Cost £35 (which includes lunch with wine, morning coffee and afternoon tea)

For Tickets, send a cheque or postal order to: (cheques payable to Words for the Wounded)
Words for the Wounded
12 Woodcote Green, Downley, High Wycombe, HP13 5UN
Please include a SAE

Trains from London are frequent, and there are taxis for the 10 minute journey.

www.wordsforthewounded.co.uk

Early Chapters by Gillian Holmes of The Editor | Get Published

Meet Gillian Holmes – literary editor By Margaret Graham1

Frost is delighted to have an editor of Gillian’s calibre to help aspiring authors. It’s particularly apt, because the fundraising Independent Author Book Award, run by www.wordsforthewounded.co.uk is open for entries until 6th March 2016.

 

Last year’s winner, Jane Cable, is now represented by the Caroline Sheldon Literary Agency as a direct result of the competition. Felicity Trew of the Caroline Sheldon Literary Agency is judging this year’s Award.

 

So over to Gillian:

 

Early Chapters

 

It’s tough being a writer, and we editors appreciate that. I have never written a book – if you don’t count the half-written romance with a Daniel-Craig-as-Bond-type hero, but the least said about that the better. So all writers who have the tenacity and commitment to complete a novel have already earned my full admiration.

 

However, on the other side of the coin, having worked as an acquiring editor, a reader for literary agents, and a reader for competitions, you can appreciate, I’ve probably read more than my fair share of opening chapters and synopses. And sometimes I stop within half a page. It sounds brutal, but when you have a lot of manuscripts to read, you simply don’t have the time or the inclination to read on to see if it improves.

 

So here are ten tips to help you catch the eye of the judges.

 

First the Don’ts:

 

  1. Please do not, and really I mean this, open with a dream. Ask any editor/agent/reader. There is nothing more irritating than to be pulled into some action, only to find it’s not real. Can I add here, do not ever use dreams as a way to move the plot forward. Please.
  2. Do not open your book with backstory… if we don’t know the characters, how can we be interested in their backstory?
  3. Do not start the book with a minor character. No matter how good the writing, as soon as the reader realises that the character they have been reading about disappears by chapter 2, they will give up.
  4. Do not open with your character doing mundane stuff – getting ready for work, having breakfast, unstacking the dishwasher, going out the door – because although you may think it’s a great contrast with the explosive action that comes later, the reader may never know that. They’ll have given up just as your character is locking their front door.
  5. Do not mince your words. Starting any book with exposition and/or long descriptions of the character or location can be mind-numbing for the reader. Dive in, all will reveal itself as the book unfolds. Speaking of long descriptions: watch out for flowery language and too many adjectives. Having to wade through paragraphs of wordy prose before you even get to the story is frustrating and time-wasting.

 

Now the Dos

 

  1. Give the reader a snappy opening line that immediately intrigues.
  2. The submitted chapters should be the very best they can be, so I would suggest you hire an editor/copy editor. It can be an expensive business, but do it for just these three chapters in the first instance. It makes a huge difference to the reader, and could give you some useful advice for the rest of the book.
  3. Keep the pace moving and don’t get bogged down in irrelevant detail.
  4. Introduce us to your characters – the reader needs to be invested in them from the start.
  5. If you’re sending a prologue as part of your first three chapters, make sure it’s relevant and interesting, not just a convenient way to give backstory.

Soon I will be giving you some hints on writing the synopsis.

 

 

gilliansholmes@hotmail.com

www.wordsforthewounded.co.uk
http://www.carolinesheldon.co.uk

 

 

An interview with Gillian Holmes – editor by Margaret Graham

Meet Gillian Holmes – literary editor By Margaret Graham1

Gillian Holmes – aka The Editor – has been working in publishing for nearly twenty years. She started out at Quarto, working on craft books and worked with many publishers, and finally

Arrow Books where she edited many bestselling authors, such as Katie Flynn, Dorothy Koomson, Amy Silver (aka Paula Hawkins), Cathy Woodman, Margaret Graham, Lisa Lynch, and many others.
Gillian now has her own editorial agency, The Editor, and over the following two weeks, she will be giving advice on the first three chapters, and the synopsis. This might well prove useful for any of you who are thinking of entering the Words for the Wounded Independent Author Book Award. Last year’s winner is now represented by Felicity Trew of the Caroline Sheldon Literary Agency. Felicity is this year’s judge. (more details www.wordsforthewounded.co.uk)

Frost asked Gillian more about herself.

What are your passions?

 

My main passion is reading. My parents moved around the world a lot and because I went to boarding school, I didn’t have many friends at home. So books stopped me feeling lonely. Well, that and my musical box (no music as all tapes warped due to the tropical climate) which I would play while I pretended to be a ballerina. Quite sad considering I have never had a ballet lesson in my life.

 

I also love to swim. An early morning swim will usually set the day up perfectly. I find solutions to all sorts of problems in the water – including problems with the book I’m working on at the time. Oh, and I am a massive QPR fan; this affliction has taught me forbearance and patience.

An interview with Gillian Holmes – editor by Margaret GrahamQPR2

What do you read?

 

I read widely and according to my mood. I usually have several books on the go. I read women’s fiction when I want to be engrossed in someone else’s life. For those days when I’m tired, I read romance – contemporary or historical. It’s comforting and always cheers me up. I also really enjoy real-life tales of derring-do like Agent Zig Zag. Also, Samuel Pepys’s diary is a big comfort read for me; he always makes me laugh. I like crime for when I’m bored, I particularly like books with a long-running characters, so Jo Nesbo and Lee Child are great favourites. Recently I’ve discovered a new character to follow in Tony Parsons’ Max Wolfe: tortured single father, boxer and policeman. What’s not to love? And finally, I adore historical novels. I used to raid my mother’s collection of Georgette Heyers and Jean Plaidys, but my absolute tip top favourite was Katherine by Anya Seton. Last year, my aunt researched our family history and, thrillingly, she discovered Katherine is our grandmother (great great etc). I was in actual heaven! Personally, I think this is the most interesting fact about me. If my friends had ever heard of her, I’m sure they’d agree.

 

What do you love about what you do?
I have never managed to write a book, so I admire and respect authors enormously. Books have been my constant companion throughout my life, so to read one in the rough, and help an author shape it to be the very best it can be, is enormously satisfying. Editing is very subjective, so as an editor I must never lose sight of the fact that this is not my book, so I need to set my ego aside. Just because I’d do it differently, doesn’t mean I should advise the author to do it my way. An editor has to be a different person for every book they edit and work within the parameters of the author’s style and vision. I like that challenge, and if an author seems genuinely happy with my suggestions and work, I’m thrilled. I love knowing that I have helped create something without actually having to do all the work. I’m a bit lazy, you see.

 

The first three chapters or so are important in drawing in the reader. 

What would be your first piece of advice?
Firstly, your first line needs to grab the reader’s attention and set the tone of the book. Don’t save your best line for half way through the first chapter, or even half way through the book. Get it out straight away so the reader wants to keep going. Then the challenge is to follow through on that promise. Try not to fill the first chapters with backstory and description. Always remember you’ve got another 70,000 words plus to fit that in. Just keep it moving. Hook us in and don’t let us go.

 

I find a synopsis difficult. Will you be helping Frost readers with this? If so, in a nutshell, what should a synopsis do?
Yes, absolutely, because having worked as an acquiring editor, an agent’s reader and a reader for competitions, I know how important a good synopsis is. Firstly, remember why you’ve been asked for it and who you’re writing it for. Usually it’s for a competition or a submission to an agent/publisher. They want the synopsis because, if they like the first three chapters, they want to see how you’ve developed the rest of the book. It will give them a clear overview of the concept and structure, and often determine whether they will want to see the rest. They don’t want irrelevant detail and descriptions, and they don’t need dialogue. And most importantly, they DO NOT want you to leave a cliffhanger. Finally, keep it short – 1500 words or fewer.

pic 3 books

Will you ever write a novel?
I’m not sure. I have a butterfly mind and I tend to get bored quite quickly. Writing a whole book would entail me concentrating on one thing for far too long. Having said that, I did write half a book once – it was a romance inspired by my crush on Daniel Craig (I know, I know, I’m a sad cliché). The heroine (who wasn’t at all based on me, not at all) rescued him from some dastardly kidnappers. I got so involved with my characters (well one in particular) that I expected him to email me to let me know what happened next. Sadly, he never did, which I know he regrets.

 

pic 5 daniel craig

 

Or a short story?
Short story writing is a very particular skill and not at all easy to do. I might try it one day, though. The great thing about short stories is they can be just as satisfying as a good novel, but they don’t take as long to read.

 

Your favourite book as a child?
I had two. Ballet Shoes by Noel Streatfield – I wanted to be Posy so badly, that when I had my daughter I (briefly!) considered it as a name. And A Little Princess. I went to boarding school when I was very young, so I related. Which is a little dramatic of me, as I was treated perfectly well by the school and, disappointingly, I never did discover that I owned some diamond mines.

 

What question would you like to be asked?
How does your husband Daniel feel about the fact that your career as a prima ballerina keeps you away from home so much?

To contact Gillian. gilliansholmes@hotmail.com
To find out more about The Independent Author Book Award: www.wordsforthewounded.co.uk
Words for the Wounded are also holding a LitFest on April 16. www.wordsforthewounded.co.uk

 

 

Meet Gillian Holmes – Literary Editor

Meet Gillian Holmes – literary editor By Margaret Graham1

Gillian Holmes

 

Frost is delighted that Gillian Holmes of the editing house, The Editor, will, over the next few weeks, advise Frost’s readers on writing successful first chapters, and that tricky beast the synopsis.

 

The timing is particularly apt because the charity Words for the Wounded (sponsored by Frost Magazine) has launched its 2016 Independent Author Book Award  for self published books – fiction or non fiction/e-book or physical.  which is due to close on 6th March. Last year’s competition was won by Jane Cable, who as a result is now represented by Felicity Trew of the Caroline Sheldon Literary Agency.

Meet Gillian Holmes – literary editor By Margaret Grahamfelicitydrew2 Felicity Trew

 

It is Felicity who is judging the Words for the Wounded competition this year, so flex those fingers, sharpen your imaginations and let Frost, and Gillian, help you along the way.

 

Gillian Holmes  has been working in publishing for nearly twenty years. She started out at Quarto, working on craft books – applique and decoupage was very popular at the time and she’s endeavoured to forget everything she learned about those skills over the years.

 

She quickly moved on from that nightmare to work at Simon & Schuster where she worked with authors such as Jackie Collins, Ben Elton and Sean Hughes. As well as doing quite a lot of football, the X Files and books about UFOs.

 

Then on to Carlton, working on illustrated non-fiction and TV tie-in novelisations – the Coronation Street novel is a particularly proud moment. The entire 40 years in a novel.

 

But with three children, life in-house became difficult, so she worked as a freelance editor, copy editor and proofreader for various clients, before moving back in-house to Arrow Books six years ago, where she edited many bestselling authors, such as Katie Flynn, Dorothy Koomson, Amy Silver (aka Paula Hawkins), Cathy Woodman, Lisa Lynch and Margaret Graham, and many others.
Gillian is really looking forward, over the next few weeks, to helping those of you who are working on a novel, or perhaps to inspire those who are not, to do so.

For more information about the Words for the Wounded Independent Author Book Award, and the charity which raises funds to help in the recovery of wounded service personnel, go to www.wordsforthewounded.co.uk

Gillian has now set up her own concern, The Editor: gilliansholmes@hotmail.com