Words for the Wounded Independent Author Book Award By WforW Founder Margaret Graham

Posted on June 6, 2015 by Margaret Graham

The Independent Author Book Award has been a revelation. There are just so many good writers out there, which made our task hugely enjoyable, if difficult. At last we decided on commended, highly commended, and then – the three winners. In the end, our decision was unanimous. Great books all three winners. Thank you all so much for entering – rest assured that 100% of the entry fees go to the wounded.

Thank you, Palamedes PR for sponsoring a professional press release for the winner, and the opportunity of a discounted press release for 2^nd and 3^rd. Thank you Frost Magazine for publishing a review of the top three

Roll of drums for the list of winners, highly commended and commended.

1^st The Cheesemaker’s House. Jane Cable

2^nd No Stranger to Death Janet O’Kane

3^rd Man, Dog, Stroke Eric Sinclair

Highly Commended

Alphabetical order

The Grown-ups Wouldn’t Like it. Diane Kay

Callum Fox and the Mousehole Ghost. A. C. Hatter

Commended

Alphabetical order

The Roman Citizens from Class 6B Kevin Brooke

Run fast, keep low Eleanor Broaders

Ruby’s New Coat Jane Carling

Chasing the Dark Clouds Courtney Hulbert (Guy Mortenson)

Brandy Row Shelagh Mazey

Orange Juice and Codliver Oil. Peter Morley

Pegasus to Paradise Michael Tappenden

The Unorthodox Arrival of Pumplin Allan Susie Twine

The Labyrinth Year Clare Weiner

The great good news is that Felicity Trew, of the highly respected Caroline Sheldon Literary Agency, is now representing the winner, Jane Cable.

Also we are honoured to announce that Felicity Trew will be our final judge for the 2015 Independent Author Book Award.

Let’s have a closer look at our winner, Jane Cable, with The Cheesemakers’ House that achieved First Place in the inaugural WforW Independent Author Book Award. Congratulations!

First Place: The Cheesemaker’s House by Jane Cable.

Alice Hart’s husband runs off with his secretary, she runs off with his dog to lick

her wounds in a North Yorkshire village. Soon she decides to start renovating the barn next to her house and opens a whole can o’ worms.

Judges’ comments: The Cheesemakers’ House by Jane Cable was the only possible winner. The clarity, structure and story line was immediately inviting, the characters interesting. They weave, twist and develop towards the denouement, always keeping us with them. Cable is adept at peeling back the layers; the writing is snappy, the tension implicit. She holds back, and you have to keep turning the pages unable to work things out until she wants you too.

There is a paranormal flicker, which can be clumsy, but in this case we found it believable, and in keeping with the book. Alice is the main character, a survivor of a marital breakup, but unembittered. Owen is the secondary character and is complicated; infuriating, almost fey. All this set against a rural village setting, which Cable ‘gets’ perfectly.

The Cheesemaker’s House is Jane Cables’ first published novel, but it is the work of an experienced writer. Has she many discarded novels in a drawer? Or has she worked with writing groups and really learned her craft? We do wish this is the case with more writers, because until clarity, organization and structure is achieved, fiction won’t work. It is only then that characters haul you into their world.

Jane Cable’s biog.

I have lost count of the number of stories I have started over the years but my first breakthrough came when I actually finished one. It was a romance about cricket and completely unpublishable. But it made me a much better writer. A few more followed, before I started The Cheesemaker’s House. I changed to writing in the first person and it felt different – it felt as though I had found my voice.

In May 2011 The Alan Titchmarsh Show announced a competition to find a new author – a People’s Novelist – and my mother persuaded me to enter The Cheesemaker’s House. I did and was shortlisted, and then made it through to the final. Though I didn’t win, it gave me confidence.

Mainstream publishing was becoming so risk-averse it was harder than ever to get a contract unless you were already famous and this was making many very talented writers go it alone. I had already come across Matador at a self publishing conference organised by The Writers’ & Artists’ Yearbook. I like them because they are selective about the books they take and very, very professional.

The Cheesemaker’s House was really well received by book bloggers and readers and at the time of writing has sold around a 1,000 copies. I am absolutely thrilled to have won the Words for the Wounded Independent Author Book Award (such a good cause) and a professional press release from Palamedes, and publicity in Frost Magazine. My next novel, The Faerie Tree is now finished. Life is good.

Tedium or Inspiration? By L.J. Brown

Posted on May 11, 2015 by Margaret Graham

Have you ever read a book where the plot was so dreadful, you couldn’t even bring yourself to finish it? As an avid book consumer, with over 700 books in my e-library, I can definitely say I have.

After reading over 80% of one particular book (which shall remain unnamed) and wishing a sudden explosion would kill off the entire dreary cast; I put the book down, never to be picked up again and decided to see if I could write my own.

The only problem was finding the time. With a small family and a full time job, writing a novel was challenging but, not one to be deterred, I found a solution. Instead of taking a walk, browsing the internet or picking up my latest fiction during my lunch breaks; I opened a word document and began typing, lifting my head occasionally to walk and admire the tranquillity of the countryside. Two years later and after many lunch breaks ignoring my colleagues, I had my first draft.

Proud of my accomplishment, I handed my manuscript to my family for their unbiased opinion but what family member would tell you something you had worked so hard on was terrible? Obviously they wouldn’t and to show their support, my dad entered and won a charity silent auction through the Octagon Theatre in Yeovil on behalf of Words for the Wounded which was for Margaret Graham to critique the first three chapters of my novel. Margaret, who is not only a best-selling author but an editor and tutor, gave knowledgeable and experienced advice and her suggestions were invaluable. I can safely say that that kind of assistance and commendation is priceless and I would recommend every new and hopeful writer finds a professional opinion for their works. With Margaret’s feedback and the mind-set to succeed I re-edited, reworked and pulled in a couple of contacts to get the cover designed. Finally Scarred Soul was complete and just waiting for my courage to put it out there for the world to see.

Deciding to go the route of self-publishing I took the plunge and in January 15 sent my book into the Ethernet and by March, although slow, was seeing my book sell with good feedback from people avidly awaiting the sequel.

And so I would like to thank the unnamed writer. Although your work was not to my taste I will be forever grateful to you for inspiring me to do as you did and put fingers to the keyboard. No matter how my book is received, I am proud of the accomplishment of completing it as I hope you are with yours and, as I plan to do, hope that you continue writing and enjoying the freedom and inspiration writing can give.

www.smashwords.com/books/view/519378

How Can Organizing a Literary Festival be Fun? By Margaret Graham

Posted on February 10, 2015 by Margaret Graham

Easy peasey, when it’s for a good cause, and you have fantastic writers in support.

The thrust of our fundraising at Words for the Wounded is two-fold. We feel we must earn our donations which help the wounded, and offer opportunities to aspiring writers, and interested readers – hence the writing competitions.

Remember that the three grannies who run the charity absorb all the costs, so every penny goes to the wounded.

Last year, to raise extra funds for the recovery of wounded troops, we grannies, who run Words for the Wounded, decided to throw ourselves out of a plane (with parachutes and a handsome man to cling to, I might add). This year, in August we’re splodging through mud doing a Military Assault Course.

Not quite the same elan, but sons-in-law, who are doing it too, are very much looking forward to not catching us when we toppled from the tyre wall.

It seemed, however, a good idea to do something less strenuous in the meantime. A Literary Festival seemed just about the ticket.

First panic: will people come? Build it and see, seemed to be the thing to do. Wasn’t that what Kevin Costner was told about a baseball field?

Second panic: will we attract speakers? Well, let’s try our mates.

So we get on the phone to call a couple of WforW patrons.

Katie Fforde is a Sunday Times No 1 bestseller and a great pal. ‘’Of course,’ she said. ‘Let’s do it. In fact, you and me together, Margaret, chatting.’ Done.

Second call to Rachel Cuperman. Rachel writes Midsomer Murders scripts, and if they’re not bestsellers, I don’t know what is.
‘Of course,’ she said. ‘Can’t wait. I’ll get my co-writer, Sally Griffiths to come too.’ Done.

I am kissing the hem of their garments by now.

Penny Deacon is one of the grannies, and a crime writer. She will be talking about her work. Done.

A past student, Amanda Hatter, and Catriona Troth, who is a committed member of the Alliance of Independent Authors, are to sit on our self-publishing panel. Me too, me too, to try to keep them under control.

Photo attribution: Ruth Jenkinson

Catherine Balavage, publisher of Frost Magazine, who would have been with us has a far more important project on the go – a son to be born at about the same time.

Finally, we have a fantastic agent: Felicity Trew of the Caroline Sheldon Literary Agency who is really looking forward to meeting all the aspiring authors in the audience. She will be here for the day, so loads of time for networking.

Then we have the food: As real foodies the grannies have been planning lunch, with wine, and tea with cake. We’re of an age where life seems to revolve around cake… Join us in pursuit of the calories.

Waterstones will be there, writers will sign books. There will be an artist exhibiting her work. There will be a buzz. It’s the inaugural Literary Festival for Downley Community Centre, which has been fantastically supportive.

So come. Enjoy the day. Tickets in advance to facilitate catering.

It’s been fun organizing it, and will be even more so, on the day.

Remember: the grannies absorb all the costs of the charity every penny we raise goes to where it’s needed.

Where is it needed? See the sort of injuries our service personnel suffer:

https://www.frostmagazine.com/2014/12/wounded-the-legacy-of-war-photographs-by-bryan-adams/

Date: April 18th. 9.30 for 10.00 start until 5.00. Downley Community Centre, High Wycombe, HP13 5TR Tickets £50 to include all refreshments.

Contact: Margaret@margaret-graham.com for information and tickets, or go to www.wordsforthewounded.co.uk

Words For The Wounded Writing Prize Closes On 11 March

Posted on January 26, 2015 by Margaret Graham

Words for the Wounded writing prize closes on 11 March. Why on earth do three grannies (two shown above) throw themselves out of a plane, strapped to a fit young man, hoping their parachutes open? Well, OK, the fit young man is a bit of a clue. But seriously, why? The reasons lie in the past and the present. In the past, both my grandfathers survived the first world war, so just as there were thankful villages who had lost no men, so too there were thankful families. But life isn’t that simple, is it? Gentle Percy, my mother’s father survived but took his own life in 1923. War has long, relentless tentacles which reach out and destroy families, just as surely as bullets do. Then, about four years ago I met a young man and his wife. They were both under twenty five. She was pushing him in his wheelchair; his portable ventilator lay on his chest. He’d been shot through the neck in Helmand and is tetraplegic, (paralysed from the neck down). They were both smiling and cheerful but their hopes and dreams were very different now, and everyday life was a mountain in itself. I decided that, as writers, my two granny friends and I could help not just the wounded, but also aspiring writers. We founded Words for the Wounded and were enormously lucky in our patrons, amongst whom are Julian Fellowes, Louis de Berniers, Katie Fforde, Paddy Ashdown and many others. We decided also that we would earn our donations, not just appeal to the generosity of others; hence the skydive, and hence the Mud Challenge Obstacle Course in August, and hence the LitFest to be held at High Wycombe on 18^th April 2015 with Katie Fforde and two Midsomer Murders writers amongst others. Our main thread, however, is our writing prizes. We have the short category for poetry/fiction/memoir – up to 400 words, with prize money of £400. Entry fee £4.50 This year we are launching The Independent Author Book Award for fiction or memoir, with a 1^st prize of a Palamedes PR professional press release. And a biography and review in Frost Magazine. Entry fee £12.50 The WforW grannies absorb ALL the costs themselves, so every penny raised goes to the wounded. Our troops put their lives on the line for us, some are killed, many, many, more sustain life-changing injuries. To help them is the aim of Words for the Wounded. They deserve the best.

For more information: www.wordsforthewounded.co.uk

Short Story Workshops Across Dorset by Margaret Graham

Posted on January 16, 2015 by Margaret Graham

One of Frost’s favourites, author Kate Kelly, who wrote of her experiences at the Edinburgh Festival is featuring as a tutor at one of the free Workshops taking place across Dorset over the next two months.

In an effort to reach aspiring writers living in rural communities a series of free-entry creative writing workshops for adults has been devised and take place at twelve venues across Dorset between 12 January to 14^th February.

Amongst the tutors is another familiar name. Frances Colville who arranged the Bridport Slam, won by one of Frost’s most fun writers, Wendy Bracken, is teaching. Frances herself has featured in Frost in A Day in the Life. In addition, there is Tracy Baines who I taught, and who is a successful short story writer, so lots for the aspiring writer to enjoy.

Perhaps they would like to enter the Words for the Wounded writing prizes? www.wordsforthewounded.co.uk

The short story workshops will kick-start DWN’s first e-book anthology. For anyone and everyone who enjoys writing or would like to learn to write short fiction check out the communities listed here: Winfrith Newburgh, Sturminster Marshall, Cerne Abbas, Askerswell, Durweston Horton & Chalbury, Martinstown, Stalbridge, Verwood, Crossways, Upwey, Bourton

To book a place, email sue@dorsetwritersnetwork.co.uk

Taking part gives you free entry to Dorset Writers Network e-book competition. Competition launch event is on Saturday 24th January – 2.30pm – at Dorchester Library.

Come along to hear Natasha Solomons reading from her work and celebrate the launch of Dorset Writers Network’s e-book competition. Advance booking essential, telephone Dorchester Library on 01305 224440.

Times Have Changed, But The Need Remains By Jan Speedie

Posted on November 11, 2014 by Margaret Graham

As one of the tiny team of grannies who run Words for the Wounded (well, tiny in number, if not in shape – we do like our cakes) I thought it apt to take along a grandchild to explore the ARMY MEDICAL SERVICES MUSEUM set within Keogh Barracks, Ash Vale, Aldershot. GU12 5 RO. It is after all the commemorative year of the start of the 1^st World War and very much in many of our minds. The young are always up for some leeches, a bit of gore, and history brought to life, and this museum very much ticked the box. It is a small museum but beautifully formed and tells the story of the Army’s medical services from the Civil War to present day, not just for humans but their animals as well. Once inside the Museum we were faced with a tableau showing a scene from the civil war and some of the crude instruments used – it really makes you appreciate our modern NHS. As you walk through the well laid out displays we realised how medical practices have had to change to cope with modern warfare. From long impractical uniforms, to fit for purpose ‘ no messing’ togs. No more lethal looking knives, dirty bandages or leeches just well equipped medics and field hospitals. Queen Alexandra’s Royal Army Nursing Corps. (QARANC) When we think of army nurses you probably think of Florence Nightingale going out to the Crimea to superintend the running of Scutari; her work is still remembered today. On display are the uniforms the nurses wore with their starched aprons and cap no ‘scrubs’ for them. Margaret Graham, our WforW founder, was telling me of her mother’s exploits as an army nurse in WW2 after she was posted to India. It was after that war that the Army Medical Services underwent reorganisation. In 1949 the QARANC was formed but the culture remained the same, a selfless sense of duty as they care for the sick and wounded troops worldwide The final displays bring you right up to the present day and the troops serving in Afghanistan.

Royal Army Veterinary Corp. (RAVC) Due to the growing mechanisation of the army the RAVC is one of the smallest Corps but one which provides an invaluable service for animals in their care. It was sad to discover the terrible treatment injured horses, mules and dogs received especially during the Crimea and Boer Wars. Slowly it was realised a proper veterinary service was needed for these valued animals and by the end of WW1 things were very different. A tableau also shows the heroic work of tracker dogs sniffing out insurgents, explosives and injured personnel. So, today, there are no leeches, but instead high-tech kind efficient care, recuperation and rehabilitation. If you’re in the area of Aldershot, do check the Army Medical Services Museum. www.ams-museum.org.uk/museum/ Rehabilitation and recovery is where Words for the Wounded comes in, along with many other hard working charities, especially as our troops return from Afghanistan and the work of charities such as ours is needed more than ever. www.wordsforthewounded.co.uk WforW raises money through writing prizes, so that, as well as raising money for our wounded service personnel, we create opportunities for aspiring writers. This year we have our usual short competition of up to 400 words of fiction/poetry/memoir with cash prizes for the top three, and publication in Writers’ Forum Magazine. www.writers-forum.com In addition we are launching the Independent Author Book Award for self-published fiction or memoir. The top prize is a professional press release from Palamedes PR www.palamedes.co.uk And a review in the fabulous Frost Magazine. 2^nd and 3^rd place have the opportunity of a discounted press release and Frost Magazine will also review their books. We open for entries from 11 November 2014 to 11^th March 2015 and you can find all the information on www.wordsforthewounded.co.uk and more news and chat on www.wordsforthewounded.blogspot.co.uk

Bridport Story Slam III by Penny Deacon

Posted on October 17, 2014 by Penelope Deacon

Here’s the scene: an old pub/coffee house that winds backwards and upwards (beware the stairs!) with a wood burning stove and wooden floors and tables (presently pushed to the side) and rows of chairs with settles against the available wall space, all full of people laughing and talking until one of them walks up to the microphone squeezed into the front window and begins to read.

Judging a short story competition doesn’t take a fraction of the nerve it takes to stand up in front of an audience, many of whom know you, and read your story aloud – especially when three judges are sitting under your nose and making notes and trying to look inscrutable. I had the fun job, I decided, watching the tremor in more than one entrant’s hands.

When I was approached to help with the judging of the third Bridport Story Slam I had to ask, ‘What is a Story Slam?’. It’s an exercise in insanity where people agree to stand up and read our their work. Time allowed: five minutes only. After that, the alarm (kitchen timer in this case) goes off and you have to stop mid-sentence. Our entrants were extraordinarily well organised. To one or two murmurs of disappointment, (Shame!) no one was cut off, although one woman ended her story to the sound of the buzzer on the last word. Cue rueful laughter.

The range of stories was wide: comedy, anecdote, a sweet tale of an old lady at Christmas, a poignant glimpse into a childhood in care, an uproarious Irish childhood, local traditions brought to life, dread in the peaceful suburbs. I was glad there were three of us judging. Kate Kelly (http://scribblingseaserpent.blogspot.co.uk/2014/10/bridport-story-slam-iii.html) and Laura James (http://www.lauraejames.co.uk/?p=2621) and I had much to discuss after we had listened to all 12 entrants.

Choosing the top three did, eventually, prove possible, although there was some lively discussion about the order. In the end we all agreed that Wendy Breckon’s funny and lively story, A French Tale, was our winner. This story of a girl (‘Seven, not quite eight’) in rural Ireland trying to find out what her Grandma’s French phrase (Voulez vous couchez avec moi?) meant was more than a comic tale of naïve misunderstanding. What made it a winner was the effortless evocation of place and character. The Grandfa, ‘skinning a rabbit for supper’, who came in ‘smelling of cow manure and wet grass’ and the Grandma who clearly had had a lively youth were evoked through the child’s innocent perception and Wendy showed us the relationships between all three characters without once having to tell us what was happening. The voice in this story was remarkable, and well-sustained. The performance of the author – because, in a Slam, the telling carries a lot of the weight of the tale – was outstanding.

Comedy tends to be squeezed out when ‘literature’ is being discussed. It was therefore a delight to be able to award second prize to Richard Green’s outrageous and uproarious story (Health and Safety, I Presume). His performance as the old-fashioned army ‘buffer’ who has murdered his wife and left her body with a tidy neighbour who promptly returned the corpse to its proper place (the killer’s wheelie bin, where else?). Was a tour de force. Somehow it was just so right to realise that we had Colonel Mustard (with the candlestick) telling us his side of the story. We asked ourselves, ‘Is he like that in real life?’ only to meet Richard later and realise how wrong we were.

Just squeezed into third place was Gill Smith’s Hide & Seek. This story had a deceptively ordinary suburban setting where ‘Bill was at the bridge club’ and the narrator watched the neighbour’s children play outside or run to the Wendy house. The use of pacing and foreshadowing, however, built the atmosphere of suspense until we knew something terrible was about to happen but didn’t know what. That the final revelation let us down a little, was what made this story slip into third place but the author is to be congratulated on her ability to create and sustain mounting tension.

It was a great evening and I felt privileged to have been invited to share in the judging.

I have to finish with thanks to Frances Colville who organised the event (she’s been asked to do another next spring, go to www.Dorsetwritersnetwork.co.uk in the new year for details), especially since she has generously donated all the profits from a really excellent evening to Words for the Wounded a charity which raises funds through writing to support wounded service personnel. Next year’s competitions open on November 11^th, so check out the website (www.wordsforthewounded.co.uk) for details.

Blood Swept Lands and Seas of Red by Margaret Graham

Posted on October 13, 2014 by Margaret Graham

Yesterday, on a brilliant clear October morning two of the granny administrators of Words for the Wounded, Jan Speedie and Margaret Graham, arrived at the Tower of London to view the art installation Blood Swept Lands and Seas of Red.

The art installation commemorates Britain’s involvement in the First World War, a war to which so many marched in the early days, certain that it would ‘be over by Christmas’. It was not to be, of course. The war ended four years later at 11.00 am on the 11 day of the 11 month of 1918.

One of those who went early to war, was a Derbyshire man who died in Flanders. He wrote in his will, knowing that everyone was dead and he was surrounded by blood, The Blood Swept lands and seas of red, where angels fear to tread. It is these words that inspired ceramic artist Paul Cummins’s design.

In those trenches, classes mixed for the first time, barriers were broken, lives were destroyed. ((888,246 British and Colonial dead) many many others were injured, mentally and physically . It was a defining moment in our history, if you could call such relentless effort and sacrifice a moment.

The setting was designed by stage designer Tom Piper. In total, 888,246 ceramic poppies will progressively fill the iconic Tower’s moat over the summer. One for every single man who was lost. Volunteers fix the stems and plant out the poppies, for sale for £25. In due course, the poppies will be packaged and posted to the purchasers, again by the volunteers. Bravo the volunteers.

By yesterday the tide of poppies had extended in some areas to the edge of the moat, and in others, were lapping towards the walls, but there is room and time for more, just as there was, sadly, time for more in that First World War.

It is a heart stopping vision, one that promotes a moment of deep reflection, of commemoration, and for the grannies a determination to continue with our voluntary work – raising funds for the recovery of injured troops, so on with the mail shots for our fundraising writing competitions opening on 11^th November.

I believe the last poppy will be planted on the cusp of 11 November.

The Tower of London website says ‘We are hoping to sell all of the poppies that make up the installation and, in doing so, raise millions of pounds which will be shared equally amongst six service charities.’

I would love to know exactly how much is distributed as our servicemen, and ex-servicemen are still sorely in need.

Pictures courtesy of Susan Atkins and Margaret Graham

Frost Magazine

Books and Lifestyle

Tag Archives: Words For The Wounded

Words for the Wounded Independent Author Book Award By WforW Founder Margaret Graham

Tedium or Inspiration? By L.J. Brown

How Can Organizing a Literary Festival be Fun? By Margaret Graham

Words For The Wounded Writing Prize Closes On 11 March

Short Story Workshops Across Dorset by Margaret Graham

Times Have Changed, But The Need Remains By Jan Speedie

Bridport Story Slam III by Penny Deacon

Blood Swept Lands and Seas of Red by Margaret Graham

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