Interview With Bestselling Author Margaret Graham

housedivided

What made you get into writing?

Having a 4th child. She was lovely but seldom slept and mithered a great deal. I needed to ‘get away’ even if only for half an hour. So I started writing a book about my mother’s rather interesting life growing up in the North East just after the 1st World War. Halfway down the first page I realised I didn’t really know my mum in that way, only anecdotes. So it became fiction, but based on her life. It’s called After the Storm.

margaretgraham

Did You find becoming a published writer easy?

Not at all. Having embarked on the novel I joined a writing class. I do wish more would these days, or at least learn the basics of structure, and how to edit one’s work. The class was not only crucial but also supportive, because I was working alongside like minded people, and it helped me enjoy the process. Mark you, my writing class had an excellent tutor, and you need to check this out. There are a lot of charlatans out there, selling their services when they know diddly-squat – and charge a lot. If you have the time, try ARVON and other residential courses. Also the weekend Winchester Writing Festival. That’s fantastic.

Then, of course, you reach the stage where you have a manuscript, finished. What next? How to get that publishing contract?

Try and find an agent. But how do you get the interest of an agent. I entered a competition and was one of the Best Entries. This helped when circulating the manuscript. I was finally taken by an agent who knew that Catherine Cookson, who wrote about the North East had just left Heinemann. Mine was a novel about the North East, and the publishers were immediately interested. Mark you, I then had to double it in length, put in a secondary character and sub plot, and do it all in 6 months. I was on my way.

So it is very much about what the publisher needs at a particular time. However, as you can see, the author does need to be flexible, and listen to the experts, and do as they want. Basically we are providing a product, which they have to need in the first instance. Then it has to be tweaked to be the best product you can create. They are invariably right. As a writer, you need patience. Learning to write well took me 4 years. Over those years I was serving an apprenticeship really, lhoning my skills, so that when the time came, I could do as they advised.

What else would you have liked to do?

Be a star. I feel the world has been deprived of a great talent!

What is your writing process?

Find that germ of an idea. Then think, think and think again, to see if it it will run as a novel. I work out the normal world, point of change, the tension, motivation, and totally getting to be the main and secondary characters. Alongside this, because I am invariably writing out of my time and place, I need to research, make notes, become so familiar with the context so that I can swim amongst the period, or situation, without overloading it with show-off details. Therefore I do a lot of reading, and that old chestnut – thinking again. Then, when I have a thorough plan, and by this I mean a chapter by chapter plan I get my head down and write hard for about 8 weeks. Because I’ve been doing it so long I have the experience to get it more or less right, and to create a sound structure. There is only one structure, you know. And it must be followed. It is the author’s ‘voice’ that makes a novel ‘different’. That’s the first draft, then I go through and alter, tweak, edit. So the second I usually sent into my publisher. Writers need to designate writing time. It’s a job, even if you already have a day job, so discipline yourself to create your writing time. You will find you do much of your thinking whilst traveling, driving, working, and at the end of the day you’re a bit further on.

A House Divided is the third Easterleigh Hall novel. How hard is it doing a series?

Hard in a way. You have to remember all the characters inside and out. What are their ages? Appearance, little ways, and then when you start the novel you have to try and make the novel stand alone, though it must also bring previous readers of the series up to date. I think that first chapter is the most difficult.

When can we expect another EH novel?

In a year.

Have you become close to the characters? Oh yes, I become all the characters really. You have to or it doesn’t work.

Can you tell us where the series is going next?

I would imagine into the 2nd world war. Perhaps Tim will go into the secret side of the war, but not quite sure about anyone else yet. It will come to me.

Lizy, me and Matt

What do you like to do when you are not writing? I run my charity, Words for the Wounded, which raises money for the wounded through writing events. We have an annual Independent Author Book Award, and we also run workshops and an annual LitFest. We’ve helped a few writers along in this way. Last year’s winner was picked up by an editor, and others have found that the publicity of being placed has helped their sales. I love working with Frost, and reviewing books, and I do like to play truant and just have a good time.

Any tips for aspiring writers.

Work hard, go to writing classes, and literary festivals, listen to authors talking, and listen to a publishers’ or agents’ advice. READ books, learn how to write short stories, because publication in womens’ magazines promotes sales of your books. Most of all, don’t rush. Do several drafts, edit carefully, and enjoy it. Life’s too short not to.

 

 

30 Days Of Gratitude. Is it time we all count our blessings?

I have to be honest. Lately I have been indulging in an unattractive quality. I have been feeling a bit sorry for myself. Yes, even writing that down is embarrassing. Thankfully it has only been the occasional bout and not full on self pity which is never okay. What sparked this feeling of being unlucky? A rather unfortunate trip to A&E. I got a really bad headache, and that along with some eye problems, meant my doctor recommended a trip to hospital. So off I went, baby and husband in tow. I have quite a high pain tolerance but I thought I was going to die and that I was having a brain haemorrhage. Thankfully a CT scan showed nothing. It obviously was not fun and I also ended up having to spend the night in hospital, which was my first night away from my son. In the end a back injury from years ago came back, I have a vitreous detachment in my eye, I had a throat infection, a virus and another infection in my toe. Yes, really. It is fair to say that I was falling apart. I am a self employed freelancer and I also take care of our son while I work from home. It is fair to say that is hard most of the time but while you are ill, it is much worse. There are no sick days when you are a mother. Thankfully this happened on  Friday so when I made my way home from the hospital, alone as my husband was with the baby, I had my husband there for the weekend. But then I decided enough was enough. Yes I don’t feel well and I have a backlog of work and a baby who’s needs have to be met, but we live in a beautiful world. There is always something to be grateful about. There is always someone worse off than you. Self care and self love is important, and we should all be allowed to wallow sometimes, but counting your blessings is important so I have decided to start 30 Days of Gratitude. Every day I will share a post about something I am grateful for and I hope you join in, using the #30daysofgratitude hashtag.

30 Days Of Gratitude. Day 1: My Son.

#30daysofgratitude

I cannot put into words how grateful I am for my son. He is all my dreams come true and I love every cell in his body, every centimetre of him. He is perfect in every way and makes my heart swell. He is everything there is, and then some more.

 

 

Meet Gillian Holmes – Literary Editor

Meet Gillian Holmes – literary editor By Margaret Graham1

Gillian Holmes

 

Frost is delighted that Gillian Holmes of the editing house, The Editor, will, over the next few weeks, advise Frost’s readers on writing successful first chapters, and that tricky beast the synopsis.

 

The timing is particularly apt because the charity Words for the Wounded (sponsored by Frost Magazine) has launched its 2016 Independent Author Book Award  for self published books – fiction or non fiction/e-book or physical.  which is due to close on 6th March. Last year’s competition was won by Jane Cable, who as a result is now represented by Felicity Trew of the Caroline Sheldon Literary Agency.

Meet Gillian Holmes – literary editor By Margaret Grahamfelicitydrew2 Felicity Trew

 

It is Felicity who is judging the Words for the Wounded competition this year, so flex those fingers, sharpen your imaginations and let Frost, and Gillian, help you along the way.

 

Gillian Holmes  has been working in publishing for nearly twenty years. She started out at Quarto, working on craft books – applique and decoupage was very popular at the time and she’s endeavoured to forget everything she learned about those skills over the years.

 

She quickly moved on from that nightmare to work at Simon & Schuster where she worked with authors such as Jackie Collins, Ben Elton and Sean Hughes. As well as doing quite a lot of football, the X Files and books about UFOs.

 

Then on to Carlton, working on illustrated non-fiction and TV tie-in novelisations – the Coronation Street novel is a particularly proud moment. The entire 40 years in a novel.

 

But with three children, life in-house became difficult, so she worked as a freelance editor, copy editor and proofreader for various clients, before moving back in-house to Arrow Books six years ago, where she edited many bestselling authors, such as Katie Flynn, Dorothy Koomson, Amy Silver (aka Paula Hawkins), Cathy Woodman, Lisa Lynch and Margaret Graham, and many others.
Gillian is really looking forward, over the next few weeks, to helping those of you who are working on a novel, or perhaps to inspire those who are not, to do so.

For more information about the Words for the Wounded Independent Author Book Award, and the charity which raises funds to help in the recovery of wounded service personnel, go to www.wordsforthewounded.co.uk

Gillian has now set up her own concern, The Editor: gilliansholmes@hotmail.com 

 

 

 

A Day in the Life – Martin Etheridge

load of rubbish.jpgIn September 1982, my life changed. I was in the Royal Artillery on a small arms exercise. The vehicle I was in veered off the road and went down a ravine. Five of my mates were killed outright and the driver broke his neck.  I was 20 years six months at the time; the first I knew of my accident was when I came out of coma on my 21st birthday. A lot of my family had gathered at my bedside and that’s what brought me round. The guys in the beds round me had come back from the Falklands (but I didn’t even know it had all kicked off!)

The injuries I sustained have proved a major limitation to my mobility (I use crutches and a tricycle to get about) and to my speech; I make myself understood, but long conversations prove difficult, However, you can’t ignore me (I rather overdo the volume to compensate for a lack of clarity in my speech!) WHAT, YOU DIDN’T HEAR THAT?Martin and book

Although verbal communication is a challenge, I have always had a bit of a talent with words – I used to act (with Graeae) and sing (before the accident). In recent years, I have got into writing and have recently completed my first novel, which has just been published.

The book features the tale of a street cleaner who overcomes adversity – drawing on some of my own experience, although his period of “rehab” was a lot shorter than mine. The book is aimed at young adults and upwards.

Although my mobility has been severely limited, I pride myself on my independence, and get out and about round my local community in Isleworth and Twickenham, as well as taking overseas holidays under my own steam. I don’t usually read my book when cycling, but nevertheless the local drivers steer well clear…:martin at pool

I’m always working on my general fitness. It’s not like army training now, but I’m a regular at the local swimming pool (Pools on the Park in Richmond). The staff are always on hand to support me:

Although my first book is only just out, I’ve already written a sequel (“Malcolm’s Mediterranean Misadventure”) and hope to keep developing as a writer. I’m doing some local book signings to support the sales of my first book, even though writing with a pen is difficult for me and I often slip back into using the typewriter that my uncle gave me when I was recovering in hospital.

What a Load of Rubbish by Martin Etheridge (published by Clink Street Publishing 29th September 2015) is available to purchase from online retailers including Amazon.co.uk and to be ordered from all good bookstores.

 

 

A day in the life of Fiona Joseph (Author and Speaker)

A day in the life of Fiona Joseph (Author and Speaker)1

I wake between 6 and 6.30 AM. My partner Peter brings me an early morning cup of tea and then it’s all systems go: helping our younger daughter get ready for school (Have you had breakfast? Brushed your teeth? Where’s your PE kit? What do you mean you’ve got cookery today?) or waving our elder daughter off to a university lecture. I’m one of those mums who stand waving on the doorstep until my children have disappeared from sight.

8.15 to 12.15 PM

Ideally I’m at my desk for 8 AM. My most productive time for writing is early in the morning.

My office is in a room upstairs at home and I do the majority of my writing on an iMac. I switch between different software depending on what I’m writing: Pages and Storyist for writing prose fiction and non-fiction, and Final Draft for screenwriting. (I’m currently writing a dramatisation of my biography of Beatrice Cadbury and Final Draft is the industry standard.)

A day in the life of Fiona Joseph (Author and Speaker)2

Writing a screenplay for the life of Beatrice Cadbury.

At about 10 AM I’m ready for a break, a cuppa and a catch-up chat with Peter, who works downstairs in the dining room. Sometimes we’ll do our unofficial ‘meeting’ in our local Costa. And then it’s back to our work domains for both of us until lunch.

If I fancy a change of writing scene I go to my local church where I have an arrangement to use one of their meeting rooms. I take a portable word-processing device with me – my AlphaSmart NEO – along with a flask of tea and a blanket to avoid chills.

12.15 – 1.15 PM

Lunchtime is my favourite part of the working day. At about 12.15 PM our dog Bonnie butts her nose against the stair-gate to tell me it’s time for her walk. (She has three walks a day – talk about spoiled) Exercise is vital for both of us. The walk takes about 20-25 minutes, sometimes longer if we stop for a chat with doggy friends and their owners. Bonnie was a rescue dog, and sadly ill-treated, so she needs oodles of love and patience. We live in a leafy suburb of Birmingham but holiday a lot in Weymouth, and this picture shows Bonnie happily at the seaside.

A day in the life of Fiona Joseph (Author and Speaker)3On our walk I daydream, or listen to music or a BAFTA GURU screenwriting podcast on my wireless headphones. Lunch will be quick, such as a sandwich or soup, or in summer months, some sautéed courgettes or roasted beetroot from our allotment.

1.15 to 4 PM

I like to be back at my desk for 1.15 PM. My afternoon can be made up of any of the following activities:

  • more writing or editing
  • working on my website
  • archive research
  • replying to emails, e.g. invitations to speak
  • going out to give a talk to a group
  • speaking on the phone with my biographee, Godric Bader, the subject of my current work-in-progress
  • visiting my local primary school where I’m privileged to be a community governor

Sometimes my research will take me into town to the Library of Birmingham or to the Bournville Archives. For my latest novel, Comforts For The Troops, I wove true facts and details of the Cadbury workplace into the story.

A day in the life of Fiona Joseph (Author and Speaker)4

Visiting the Bournville Archives to research Cadbury women workers.

4 to 7 PM

This period is break-time and family time. Peter or I prepare dinner. I’m very strict on home-cooked food and eating round the dinner table. It’s the time of the day when we can share news, air grievances(!) and generally have a laugh. Mobiles are banned. If one of us has had a particularly noteworthy day I’ll serve dinner on the Plate of Accomplishment. We occasionally play cards afterwards – 10 card rummy, Old Maid and Sevens are old favourites.

7 to 10 PM

Sometimes I’ll be out giving a talk at a local society like the WI, the U3A , a local history group or a book group. It’s very satisfying to talk about the research and themes underlying my Cadbury books and I really enjoy chatting with people over a cup of tea afterwards.

A day in the life of Fiona Joseph (Author and Speaker)5

If I’m at home I’ll flake out with some telly. I’m an ardent fan of Corrie and Holby City and I enjoy a good UK drama, preferably nothing with violence in it though. By 10 o’clock I’m fit to drop, but if necessary I’ll do an hour’s more writing before bed!

Fiona Joseph is the author of the acclaimed biography, ‘BEATRICE The Cadbury Heiress Who Gave Away Her Fortune’, and a novel inspired by women working at Cadbury in World War One, ‘Comforts For The Troops’. For more details visit www.fionajoseph.com

 

 

An Interview With Emma Kavanagh – Author of Hidden

An interview with Emma Kavanagh - author of Hiddenauthorpic

An interview with Emma Kavanagh – author of Hidden

hidden Emma Kavanagh

Do you plan your books in great detail, or just go with the germ of an idea, and where does that idea come from?

I am a huge planner. I even have spreadsheets! I tend to come up with a general idea of where I want my story to take the reader, and then let that marinate for a while. I’ve had book four cooking on low for the past three months whilst I complete book three, The Missing Hours. Once I’m ready to start work on it, I begin with research, research, research, finding out as much as I can about the area I am going to be writing about. Then begins the planning. This will change as the story develops – which is why spreadsheets are so useful – but I always find it easier to have an idea of where I am heading. As to where my ideas come from, I am fascinated by psychology and true crime, which is an absolute gold mine for book ideas.

An interview with Emma Kavanagh - author of Hidden1

How do you actually work? In silence in a study, at the kitchen table?

Oh, I would love a study…no, my study is now a nursery for my youngest son. I write in the living room on a big cozy chair that has become known as “Mummy’s work chair”. When I’m planning or researching, I can’t cope with silence. It’s too intense. I tend to have documentaries running in the background, which I half-watch to distract me from the pressure. When I’m actually writing though, it has to be in silence. I’m not one of those authors who can work in a coffee shop. Who can concentrate with all that cake?
Did you have a writing background before you began writing novels?

I’ve written short stories since I was a kid, and was a passionate writer throughout school and college. But once I started my own business (I ran a consultancy practice specialising in training police and military personnel in the psychology of critical incidents) I let the writing drop away. I was working hard and my focus was elsewhere. Then one day a story idea came knocking and simply wouldn’t leave. In the end I decided that it had to be worth a shot…

An interview with Emma Kavanagh - author of Hidden2
Who has inspired you in the literary world?

So many people. I adore Kate Atkinson, especially for her willingness to push herself beyond genre boundaries and try something entirely different. Another must-read I have is Barbara Kingsolver. Her use of language is just exquisite. And I can’t not mention Agatha Christie. No one plots like she does.

 Do you read while you’re writing? I know a lot of authors don’t.

I always read. I read whilst I was in labour with my first child, whilst I was in recovery from a c-section with my second. I am always reading!! I know a lot of authors can’t read anything in the genre they write as they find it interferes too much with their creativity, but I’ve never found that to be an issue. In fact, it inspires me, to read beautiful language, clever plotting, awesome characterisation. I want to be that good!

An interview with Emma Kavanagh - author of Hidden3
Your favourite book as a child?

I can’t just pick one!!! The Folk of the Faraway Tree by Enid Blyton. Matilda by Roald Dahl. Heidi by Joanna Spyri. The Wolves of Willoughby Chase by Joan Aiken. Um…how long do we have here?

What would comprise your perfect day if you had a magic wand?

Being with my husband and our boys (aged 1 and almost 4). A scrumptious breakfast which absolutely must include bacon. Going somewhere fun where we can all play. My kids are little so the dream trip has to be Disneyworld. And it is totally not because I am a complete child. Then, an early night for my boys, a nice dinner for myself and my husband, somewhere overlooking the ocean, a glass of wine, and then a comfy sofa so I can read my book.

Hobbies?

Reading (d’uh!). I love to swim and these days try to get to the pool as often as I can. And, although I rarely have time for this nowadays, I also love to sketch and paint.
Have you always wanted to write novels?

Yes. It was one of those things that I deep down always knew I would have to do. And now that I have started, the idea of stopping is like the idea of no longer breathing.
Ambitions/dreams.

My ambitions…I want to keep doing what I am doing. I want to be respected for my ability to tell a story and create characters that take on a life of their own. I want to be able to give my children the opportunity to travel and experience the world, and to teach them that they can achieve anything they set their mind to.

If you could choose one person to read your books, who would it be? 

I’ve seen this happen to a number of my author friends – a celebrity or big name author reads their book and then starts shouting about how wonderful it is. So it got me thinking, who would I want to shout about mine? Well, George Clooney would be nice (Hi, George!). But my hands down, would-immediately-pass-out-with-excitement person would be JK Rowling. I really don’t need to explain this one, do I? She knows Harry Potter, people!!!

 

 

A Day in the Life of Penny Gerrard

A typical day? No such thing – and that’s the way I like it.

I’m certainly an early bird – whizzing about doing “lick and a promise” style housework while catching up with The Archers.

I really look forward to those days when I am sitting in my local court as a magistrate. I love being part of the justice system and I can be sure of a day full of interest and challenge doing something worthwhile with great colleagues.

Day in the Life Picturepennygerrard
Other special days are when we look after our younger grandchildren. Five year old Harry involves me in complex Star Wars games with incomprehensible rules and two year old Francesca practises her fast developing language skills on me – telling me she prefers her trainers to her “sandcastles”. Keeping track of the lives of our 20 and 16 year old granddaughters is fun too.

Penny Gerrard's A Day in the Life.
Perhaps I’ll do some admin for The Pastures Church – agendas, minutes, newssheets etc. – sounds dull? Not a bit of it to a compulsive organiser like me. My to-do list would probably be the first thing I rescued from a fire – that and my photobooks and scrapbooks which fulfil my nostalgic side. This nostalgia drove me to record memories of parents and favourite aunts who were no longer there to pass on their stories. Discovering a creative writing group run by author Margaret Graham spurred me on to write and I’ve self-published a book of poems called “Never Too Late” and an account of a trip to Israel called “The Reluctant Pilgrim”.
Penny Gerrard's A Day in the Life.3

Day in the Life Picture 04.

If we are travelling (we are quite the globetrotting retirees) I knit on the journey – usually for the children but have recently managed a jacket which actually fitted me. I might do some embroidery and the walls of our house reflect this. My longest project was a patchwork quilt which took me 40 years.

Day in the Life Picture 04.pennygwriter
Shakespeare often features in my day – perhaps with a trip to the cinema or theatre with the U3A Enjoying Shakespeare group I run. The U3A has given my husband and I some shared interests like croquet – lovely on a sunny summer afternoon, or quizzes which test our remaining memory.

Somewhere in my life there has always been music – from singing in choirs to amateur operatics with wonderful opportunities to dress up. At the moment it involves singing with my church band which is mainly made up of teenagers who also play guitars and drums. This has meant getting used to having no music and only an IPAD to refer to for the words. How things have changed in my lifetime.

Day in the Life Picture 04.pennygerrardwriter
After all that, by about 9pm I finally run out of steam and we perhaps treat ourselves to an episode from a box set like House of Cards with Keven Spacey or The West Wing with Martin Sheen. Lovely to enjoy brilliantly written drama. Now, could I aspire to write a script one day? Well maybe, but in the meantime, the ten o’clock news is nearly done and a good book awaits me in bed.

Penny Gerrard

 

 

An Interview With The Incomparable Salley Vickers by Margaret Graham

I read Miss Garnet’s Angel a while ago now, and absolutely loved it and thought it would be fascinating to interview Salley Vickers, the author. At last I’ve managed to find a window in her busy life, and here she is to answer questions for Frost Magazine. What’s more you can hear her talking about The Boy Who Could See Death on 29th September at the Windsor Literary Festival.

An interview with the incomparable Salley Vickers   by Margaret Graham 1

You had an interesting but complex childhood, and felt that you had a sense of some unspecified task to fulfill. Did that sense drive you? Does it still?

Yes, I think it does. My parents imbued me with a feeling that one should work for the general good. In my case, that is best done by conveying my attitude to life through my writing.  But also they endowed me with a strong sense of the basic equality of all, and what people seem to like in my novels is finding aspects of their own hidden being there, which gives a sense of being understood.  I feel sure this is part of the power of a good novel – the capacity to make us feel known and perceived in our most private recesses of being.

An interview with the incomparable Salley Vickers   by Margaret Graham 2

Most of us grow up with parents defined in some way by their past. If it is a traumatic past, it can lead us to have an enhanced ‘political’ sensitivity, in order to weave our way through the rocks. We learn what to reveal, and what to hide. 

This is a skill I notice in your books, so would you agree that we authors write out of our past?

Inevitably, we write out of our conscious but, more powerfully perhaps, unconscious experience. The novel I have just completed, (‘Cousins’ published Viking March 2016) explores the way trauma recurs through a family history, even if the past is unknown to those in whom it re emerges. Nothing fascinates me more than how memory, both conscious and unconscious, lives on beyond the limits of any individual life.

You write with grace, but with ‘political’ care, holding back information, and then revealing. It gives an implicit tension. So – perhaps authors are not just influenced by their past, but trying to make some sense of it?  What are your thoughts on this?

I am sure I write to discover what I already ‘know’. What we think we know, what we know we don’t know and what we know but ignore are very common human conditions which I often explore. A previous career as a psychoanalyst has taught me to reflect on these levels of seeming ‘knowledge’.

Or are we just story tellers, or both?

Everything is story, in my view. Even science is a series of superseding stories. We are hard wired to make sense of experience through narrative. In analysis the work is to find a more workable version of the story a person tells themselves about their life. A writer’s job is to follow a story that has its own organic truth and is not a ‘truth’ imposed by the author’s own prejudices or intent.

How did you start your writing career? With short stories, or straight into Miss Garnet’s Angel?

Miss Garnet's Angel

Miss Garnet began life as a short story and just grew. I had no idea of publishing it. Like much of real significance in my life it was a happy accident – as were both my wonderful children.

How do you work? Do you have the germ of an idea, spend time thinking and then planning? I ask this because your novels are multi-layered. They are  psychological, mythical, in some ways fairy tales, but grounded ankle deep in reality. I believe I would need to think, and plan, and know where I was going, and what I wanted to say to achieve this level of complexity, and present it, as you do, in such an accessible way.

I never never plan.  I hear a voice, revisit a much loved place, recover a memory and then let imagination, memory, sudden encounter, whatever accrue around it, rather like the grit of sand that through a nacrotising effect becomes a pearl. The excitement of writing for me is not knowing what is going to happen. I never know the end of a novel, or a story, until very near the end and then it is often a major surprise.

theboywhocouldseedeath3

Do you enjoy writing or do you find that starting a novel is daunting because until you have finished it, you have half a foot, or more, in their world? I ask this because once I start, I find that I need to ‘be’ the characters. Well, not even need to be, I am, the characters. Someone once said, that an author is writing their life story so absorbed do they become in the world of their characters. 

I love it once I’m in it. I tend to spend the first part of a book in a restless state of acute anxiety. Then once I get over a certain sort of hump I really let rip and can write for very long hours. But your unnamed authority is right: it does become one’s own life story and I think much of the excitement comes from living out a life that is both one’s own and yet not one’s own. I write out of myself lives I have never lived but live through writing them.

Of all the books you’ve written, which is your favourite?

Probably the last one I have written – but if you point a gun at my head it would have to be either  ‘The Other Side of You’ or ‘The Cleaner of Chartres’.

pic 4 The other side of you

Have other authors influenced you?

Oh yes. Many. I grew up in a reading household, for which I am ever grateful, and had read all the classics by the time I went to university. Henry James,   George Eliot, Trollope, Conrad have all influenced me. Also Beatrix Potter on whom I learned to read and from whom I learnt about cadence (if you listen to Beatrix Potter the prose is exquisitely cadenced).

pic 5 Beatrix Potter

But of more contemporary authors, Penelope Fitzgerald and William Maxwell are my heroes. Penelope Fitzgerald did me the great honour of endorsing Miss Garnet shortly before she died. I’ve not had a higher or more precious encomium since.

ic 6 Penelope Fitzgerald

What next? 

Cousins and after that it’s a secret, even from myself

What do you do when you are not writing?

The usual introvert’s pleasures: read, walk, talk to friends, listen to music, go to the opera/ ballet.

What brings you joy?

Children (this is boast but I am reliably informed by my grandchildren that I am very good indeed at playing), birds, poetry, dancing, and I must confess also …. shoes…

pic 7 shoes

Salley Vickers is talking at the Windsor Literary Festival on 29th September at 7.00 pm. She will be discussing The Boy Who Could See Death. The boy is question is Eli, who is an ordinary lad with an extraordinary gift, or is it a curse?

For more information:

http://tickets.windsorfestival.com/Sales/Autumn-2015/Tuesday-29th-September/The-Boy-Who-Could-See-Death/The-Boy-Who-Could-See-Death