Tag Archives: writers life

WRITING IN THE NEW

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Jane Cable sets out her plans for Frost for 2019…

Much as I’ve loved hosting Business of Books over the last couple of years, it’s definitely time for a change. Two changes in fact, but more of the second one later.

Readers with very good memories may recall that in the autumn I went on a mini retreat with four writer friends. It was a comment from Kitty that started it – just as we were leaving – she said we’d become sister scribes. So I began to ponder what that could mean.

The world over women are particularly good at giving other women support. We excel at cooperation, collaboration, sharing the champagne and handing out the tissues (or the gin). We celebrate, we commiserate, we coax, we cajole – in short, we are there for each other.

So this year I’m sharing my Frost columns with my Sister Scribes. Over the next few weeks everyone will introduce themselves, and in the coming months we will all introduce other sisters from the world of words; women whose contributions to our writing lives are important to us. Women who want to share their passion for writing for, by, and about women.

So, the Sister Scribes are:
Cassandra Grafton has her roots in Austen-inspired fiction and is a Jane Austen Literacy Foundation ambassador. Published by Canelo from this year.
Jane Cable is a long term contributor to Frost. Indie author published by Sapere from this year.
Kirsten Hesketh’s first novel landed her an agent. Hopefully a deal will follow soon.
Kitty Wilson walked straight out of the RNA New Writers’ Scheme into multiple offers. Writes hilarious romcoms for Canelo.
Susanna Bavin writes elegant, well-researched sagas. Published by Allison & Busby.

We met because we are all members of the Romantic Novelists’ Association, but that doesn’t mean the columns will all be about romance as our network of contacts spreads far and wide. Within the genre we cover a broad church, from sagas to romcoms and a great deal in between. There will be plenty of interest for readers and writers alike, with our first guests including my own long time buddy Carol Thomas on marketing collaboration and Cassandra’s co-author Ada Bright on what it’s really like writing together.

So that’s the first change. The second is an additional column on the last Wednesday of every month to replace the popular Take Four Writers. I will miss Angela, Claire, Jackie and Lucy but it’s time to offer a different perspective and I’m delighted that Sapere Books has offered to provide it.

Every month one of the Sapere team will give an insight into their publishing year. Editorial Director Amy Durant is as delighted about it as I am: “I am very excited to be offered this chance to give readers and writers a unique perspective into what life is like at Sapere Books. We are still a very new publisher and we have lots of exciting projects and developments launching this year – including publishing two of Jane’s books – so there will be plenty of news to share. As a small team we have the flexibility to change strategies at the drop of a hat, if something interesting pops up, so even I don’t know yet what I’ll be writing about in six months’ time, but I hope you will enjoy reading about Sapere Books’ journey in our second year of trading.”

So what will I be doing with all this extra time? I’m hoping I’ll be able to review more books for Frost and even branch out into travel and history related articles. Plus, as Amy has reminded me, I have two books out this year…

 

BUSINESS OF BOOKS: TAKE FOUR WRITERS – BALANCING, SHINING, HURDLING, REFLECTING

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The final word from our four writers and a heartfelt thank you to them all for sharing their writing years. Ladies – you’re an inspiration.

JACKIE BALDWIN: BALANCING

This month for me has been all about trying to balance the competing demands on my time between the day job, writing the first draft of my third crime novel and getting sorted for Christmas. My heart says write but my head says shop, clean and do the ironing! I have never been good at splitting my focus.

Tis the season to be jolly! I am a member of a wonderful crime writing community called Crime and Publishment in Gretna. Some of us are published whilst others are working on a first draft or at the submission stage.  After our Christmas meal we went round the table celebrating everyone’s writing wins, both big and small. It was heartening to hear how far we have come since our first year in 2014.

For me this time of year is always a time for reflection. To remember those people and animals who are no longer with us but lit up our lives, to be grateful for those who are still here and to think about where I want to direct my energies in the brand new shiny year to come.

It has been a pleasure to share my writing journey with you all this year. Wishing you all a very merry Christmas and a happy New Year.

ANGELA PETCH: SHINING

December Frost:  sparkly, ice-cold, sharp, and a fitting way to skate away from a year of monthly reports. I shall miss them: it’s been a way of focussing during quite a year.

December 1st, I launched my self-published “Mavis and Dot”, and, promoted by a Blog Tour, it’s going well. My shiny new banner helped pull in interested readers. On the following Saturday, I manned a successful book stall outside Arundel Cancer Research Shop. All profits from M and D are destined for this charity.  A sequel has been requested; I’m thinking up scenarios for the two ladies.

Edits for Bookouture are 99% done for the first Tuscan novel commissioned for Spring 2019, (no title yet), and I’ve written a couple of chapters for the second. The rest is in my head. This year I will pin to paper.

Thanks so much to Jane and my trio of friendly authors. New friendships made, new goals formed. Good luck to us all, happy Christmas and 2019.

 

CLAIRE DYER: HURDLING

So, another year has gone by and I’m definitely a year older, but no wiser I fear!

Some highlights have been (in no particular order): my kids are doing OK; Mr Dyer is well and busy; my cats are still my friends; my novel The Last Day was published and I’ve been working on another two books since which has been both a challenge and a joy; it looks like there may be a new poetry collection in 2021.

Some lowlights have been (in no particular order): my mother’s dementia; the state of the nation; I don’t seem to be ageing like Dame Judi Dench, more like Ena Sharples; Hollywood still hasn’t called to offer to make my book into a movie!

And, as ever, there have been hurdles as is the case of the writer’s life. No sooner are we over one, then another appears. Sometimes they trip us up; sometimes we sail over them, landing gracefully on the other side a bit like a gazelle. And, as ever, there’s no saying which the next one will be as I sit here at the year’s end with the echo of the starting pistol and the crowd’s roar in my ear.

LUCY COLEMAN: REFLECTING

As the year draws to a close it’s a time when I reflect upon the highlights and low points of my working year. But more importantly it’s when I set new goals for the year ahead.

It has been my second most successful year as an author to date, for which I’m incredibly grateful. Hitting the no. 5 spot in the UK Kindle chart with ‘Snowflakes Over Holly Cove’, my second novel writing as Lucy Coleman, was beyond any dream I ever had. The goals I set are never about the results, but about the work required to keep honing my skills.

My goal for 2018 was to write four new books. Tick. And the first novella in a new little project with a new pen name. Tick.

My goal for 2019? Four new books and the second novella.

I write because it’s my passion and I write from the heart. The happiness and fulfilment is in the creation, because it is a little like the lottery. In this case fate is in the hands of the legion of wonderful reviewers and readers who choose your book. And that’s humbling.

Wishing everyone a 2019 filled with happiness, love and good health. And to the incredible Jane Cable and my fellow writers, you are all an inspiration!

 

THE BUSINESS OF BOOKS: THE KITCHEN CLASS OF 2017

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Jane Cable catches up with RNA friends

There is a tradition at Romantic Novelists’ Association conferences that the really important stuff happens in the kitchens of the shared accommodation. And for me (and I’m sure I’m not alone) the really important stuff was making friends with other writers. Almost a year later most of us have kept in touch and there have been many successes to celebrate. To be honest, I haven’t had the best year of my writing career but being able to cheer on my new friends had been a pleasure which has kept me going.

Jan Baynham, another writer from my home city of Cardiff feels the same: “No exciting publisher or agent news from me, I’m afraid, but I’ve been delighted to read about others’ successes this year. There’s been so much to celebrate! I’ve spent the time since the Conference submitting my first novel to publishers. Two recent rejections have given me very encouraging feedback and spurred me on. One editor said my novel fell into ‘the nearly-but-not-quite’ category, telling me why, but said she would be happy to consider further submissions from me. A second was even more complimentary about the quality of the writing and has asked to see my second mother-daughter saga that’s partly set in Greece. I’m working hard to get Whispering Olive Trees ready to submit to her.”

Jan’s travelling companion last year was Sue McDonagh whose debut novel has just been published by Choc Lit, but it hasn’t always been an easy road. “I wrote, learned and submitted until that magical ‘Yes’. There was joy – until the edits came in. Christmas to February, Writing Boot Camp, I rewrote almost every word, hacked back rookie errors of over-blown baddies and plot lines that went nowhere. My timeline was a joke.  I despaired that the ending would ever work. I couldn’t do it. I could, and it did, miraculously. I painted the front cover, another highlight. Published five days ago, Summer at the Art Café is already earning a slew of 5* reviews. I’m still learning – it’s a steep curve!”

Another kitchen compatriot discovering the joy of a publishing deal was Cornwall based Kitty Wilson. “My writing life has been a whirlwind since we all sat around the kitchen table at the RNA conference last year. I have gone from wannabe novelist used to micro-expressions that flashed sympathy and suggested delusion to fully fledged author. By January I had landed myself my dream agent, had to choose which publisher to go with and spent a lot of time pinching myself – it was all so dreamlike. With my first book coming out next month, the second nearly completed and a whole series to write, 2018 is going to be a very busy, but very happy, year.” The cover of the first of her Cornish Village School books has just been revealed, ready for publication next month.

When we met last year Susanna Bavin already had her deal with Allison & Busby, and her writing career is going from strength to strength: “It’s been a year of dreams coming true for me. My debut saga, The Deserter’s Daughter, has been published in hardback, e-book, audiobook, large print and paperback. My second, A Respectable Woman, will appear in the same formats; and I have a contract for another two. The best moment? Out of a year of ‘best moments,’ the very best was listening to The Deserter’s Daughter as an audiobook read by Julia Franklin. I’ve listened to audiobooks for years and Julia is one of my two favourite readers, so having her as ‘my’ reader is wonderful.”

Last but not least, Kirsten Hesketh feels she’s on the verge of something big too: “What a year! The main thing I have learned over the past year is not to submit your work too early to agents! After a round of ‘good’ rejections last September, I spent the next few months editing, restructuring, polishing and then getting a critique from the marvellous Alison May whose advice made all the difference. Then I did it all again!  The result is …. I now have an agent! I am thrilled to be represented by the wonderful Felicity Trew and have just had the excitement of having my book taken to the London Book Fair. Fingers crossed!”

 

 

 

TAKE FOUR WRITERS: RECOVERING, COMPLETING, REVIEWING, CHARTING

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ANGELA PETCH… RECOVERING

I spent time with my characters on their bench by the sea and they told me the rest of their stories. I’ve 95% finished the first draft of “Mavis and Dot” and very soon the editing slog will start. Beta-readers and illustrator are on board and deadlines are in place with blog tours and an author week arranged for mid-November. I’ve also booked a December 1st launch in Worthing (the location for my book) and contacted Cancer Research for support – (I am donating profits to this organisation, so fingers-crossed I make some.

In the midst of all this planning, I ended up in hospital with a warning. My memory disappeared for a few hours; a stroke or tumour was suspected. However, a brain scan revealed all was well (some would disagree!) I need to slow down. My writing is for fun – anything else is a bonus.

“If you listen to your body when it whispers, you won’t have to hear it scream.”

 

JACKIE BALDWIN… COMPLETING

Hello. This month I finished my line edit and answered all those squirmy plot questions. Things are starting to gather momentum now. I’ve been told that my cover reveal will be happening on the Killer Reads page at 8pm on Sunday 29th April which is exciting! I’ve had a few days off as I wait for the copy-edit to arrive. Once that is finished the book will be in its final form.

Tasting freedom, I’ve been gallivanting in the Lake District and up visiting The Kelpies near Falkirk.

I’ve also started planning my blog tour with Love Books Group. It will start on 15th June when the book is released and last two weeks. I’ll need to prepare guest posts and Q/A’s for that. The day after it ends I’m off to a Greek island to stitch my shredded nerves together with my long suffering husband.


CLAIRE DYER… REVIEWING

So, after the launch and after the blog tour come the reviews!

I’ve long thought that writing is an odd thing to do. You spend a year or two writing a novel, editing it, rewriting it, editing it again, doing copy edits, checking covers, planning the PR and then there’s one glorious day when you hold the book in your hand and think, ‘Crikey, it’s a real thing and it’s going to go out into the world and (hopefully) be read by others.’ It’s a bit like hoping people will like your kids when they leave home and strike out on their own.

And, as much as we don’t like people passing judgement on our children, authors do need reviews of their books. I always do them for novels I’ve enjoyed and it’s a wonderful way to support authors and their publishers. Doing shout-outs on Twitter, popping up a 5* on Amazon and/or Goodreads is a lovely way to show support for the writing community. And, if I didn’t enjoy a book so much, I tend to keep quiet. Not because I don’t believe in freedom of speech, because I do, but because I don’t think giving a negative review is helpful. Reading tastes are so subjective, after all.

I would, however, like to thank all the lovely people who’ve left reviews of ‘The Last Day’ and who’ve messaged me privately to say they’ve enjoyed reading it. These are, naturally, the judgements I do like!

 

LUCY COLEMAN… CHARTING

It’s been a month of celebrating and being grateful for reader power. Amazon is only one of the online market places but it’s a useful measure. An eye-catching cover and a tantalising book blurb are essential, but reviews are a major influencer.

A reader apologised to me recently for the fact that she only writes very short reviews. Always five stars and a simple statement of appreciation. I wish I could have jumped through the monitor to hug her, because EVERY positive review is a blessing.

This month ‘The French Adventure’ soared up the charts and peaked at a dizzying #81 in the overall Amazon UK Kindle chart. Having passed that top 100 magical number before, I always wonder ‘Will the readers take me there again?’

As a reader, never underestimate YOUR power – your voice counts, so let your favourite authors know that and they will keep on writing.

THE BUSINESS OF BOOKS: SECRETS OF SEASONAL SUCCESS – Jane Cable takes a sleigh ride with Sunday Times bestselling author Heidi Swain

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How much of your working life does the business of books take up?

The business of books, in one way or another, takes up all of my working life now. Earlier this year I made the leap and gave up the day job to write full-time. I had been gradually cutting down my hours, but going out to work two days a week meant compromising time at the keyboard. I was increasingly feeling that I was spinning one plate too many and something had to give. Nonetheless it was a difficult decision because I loved my job, but following my heart has been the right thing to do.

Now I can write from six thirty to lunchtime and work on guest posts, blogging and interviews in the afternoons. It’s a much better balance all round.

 

What’s your business model to earn a living from writing?

I don’t have a formal business model, but writing full-time has given me the opportunity to take on different projects and I am now beginning to earn from a wider source than book sales. Writing short stories for magazines is a good way to supplement income and I have also taught a ‘writing a novel’ day course. That said, I’m not poised to order the diamond shoes just yet and my priority is, and always will be, focusing on writing novels readers love.

What do you write and what do you consider to be your major successes?

I write commercial fiction for Simon and Schuster, although I prefer the term ‘feel good fiction’. I want my readers to feel whisked away to the fictitious town of Wynbridge as soon as they sit down with the book.

I feel very fortunate to have readers getting in touch every day to tell me how much they love Wynbridge and want to live there, or that they have purchased my book to take on holiday or to give as a Christmas present. For me personally, those messages and tweets are all major successes. What could be more flattering than a reader loving what you have written so much that they take time out of their day to tell you?

I’m also very proud of my two Christmas books. Mince Pies and Mistletoe at The Christmas Market was my winter 2016 release and having listened to readers and friends who had been disappointed by novels which featured ‘Christmas’ in the title but barely covered it in the book, I was determined to pack my pages full of festive feeling. Looking at the response it definitely worked and it wasn’t far into January before my editor called asking if I would consider writing another one!

Needless to say I jumped at the chance. I already had the beautiful setting of Wynthorpe Hall in mind and got to work straightaway. The result was Sleigh Rides and Silver Bells at The Christmas Fair which was published in October and again, I’ve crammed in as much cinnamon and spice as possible.

 

Tell me about your latest project.

I’m now working on my sixth novel which will be released next summer. This one features a Wynbridge resident who isn’t living in the town, but don’t panic. I’m planning for her to visit her friends and family at least twice so there’ll be plenty of opportunities to catch up with the girls from The Cherry Tree Café and The Mermaid Pub.

Thank you Jane for inviting me to feature today and I may take this opportunity to wish you all a very merry Christmas!

 

Since my interview with Heidi Sleigh Rides and Silver Bells at The Christmas Fair has taken the Sunday Times bestseller list by storm and just has to be this year’s most successful seasonal romance. Heidi lives in Norfolk with her wonderful family and a mischievous cat called Storm. Find out more about her here: Website: http://www.heidiswain.co.uk/

 

THE BUSINESS OF BOOKS: JANE CABLE SUCCUMBS TO A LITTLE MAGIC

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Last week I posted the following tweet: “That moment when you start writing and you can’t stop; when you turn off the car radio because the characters are talking in your head; when you take long walks just to spend time with them.”

For me, it summed up the magic of writing and was a joyous expression of my delight at experiencing it again. And what’s more, I hadn’t even realised it had gone away. Had I become too much of a technician? Had I been trying too hard? Disappearing up my own wotsit?

I’ve made my name (such as it is) as a writer of books that are more than just romance. A twist of mystery, a twist of suspense, a twist of the ghostly. Hard to fit into a genre box – and very hard to sell to an agent or a publisher. Believe me – I’ve been there, done that, got the proverbial T-shirt. There was a time when I considered “you write well, but…” would be my most appropriate epitaph.

The stars began to align back in October when I had a manuscript turned down by a publishing house because it was ‘too dark and emotionally intense’. However they made it very clear they’d love another submission from me if I came up with something more escapist and with a simpler pay off.

Seeing the proliferation of ‘heart warming’ stories on supermarket shelves made me step back and seriously consider the market for romance. Of course, it doesn’t take an awful lot more than common sense to see that life is pretty grim for a large number of people at the moment so they want a book to be a happy place to lose themselves. They want familiarity with their fiction: Heidi Swain’s Wynbridge series, Elaine Everest’s vintage Woolworths. In short – they want a comfort read.

But could I write one? Should I write one? After all, my readers expect something different and there are a significant number who buy my books for this reason, even if not enough to make a publisher bite off my hand. While I was mulling this over I chanced across Harper Collins’ Great British Write Off where they’re looking for thrillers and ‘beautiful love stories, particularly escapist settings.’ The deadline was the middle of January; perhaps I should give it a go.

So I started to make a few plans; an outline, some character sketches, a nice punchy opening. Still I prevaricated. In the meantime a friend who would dearly love to write ‘more complex’ (their words not mine) novels, was offered a three book deal for her chicklit. And then an agent who’d been reading my full manuscript came back with a no – but once again made it very clear they’d be happy to read more of my work – without the paranormal element.

On Wednesday morning my husband went away for a few days so I started to write. And write. And write. And live and breathe my characters inside my head in a way I’d almost forgotten. Long walks around the park and up the river. Then back home again to write some more. Researching on the hoof, taking it one or two scenes at a time. Letting the magic flow. 8,000 words of magic in just three days.

In fact, I’m itching to write another chapter now. So if you’ll excuse me…

 

 

 

 

 

 

The Business of Books: Fiction, Friends and New Beginnings – Choc Lit’s latest signing Carol Thomas takes over!

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I’d like to start this post by saying thank you to my fellow Chindi Author and friend Jane Cable for inviting me along to share the experience of getting my first publishing contract. She has left me to it, so I am titling this piece Fiction, Friends and New Beginnings and dedicating it to Jane.

This week, I have been delighted to announce that my next novel, currently titled Regret Me Not, will be published by Ruby Fiction – a new imprint of the award-winning independent publishers Choc Lit.

The deal came as a result of attending a Choc Lit live event and pitching to an editor in May 2017. I had never imagined pitching face to face, and probably never would have, had it not been for a conversation Jane and I had just weeks before.

Jane had read my debut novel, Crazy Over You, and said my writing style was well suited to Choc Lit. She told me (in a lovely polite Jane way) I should stop thinking about it and get on and submit to them. With her words in mind, I put my name down for a pitch slot. I then spent a week researching how to pitch, preparing what to say and generally panicking.

I needn’t have worried. Jane accompanied me to the event and shared a fortifying tea and cake before the pitch. The live event was great, and the authors were lovely, as I knew they would be. I have followed Choc Lit for several years and have enjoyed meeting the authors and building online relationships with them since the start of my writing journey. And Choc Lit editor, Lusana Taylor, quickly put my nerves to rest and got me chatting about my book and online presence. At the end of my session, Lusana requested I send my manuscript into the Choc Lit tasting panel (a panel of readers who give feedback before publishing decisions are made).

Three months later I got a call from Lyn Vernham, director of Choc Lit, who said they wanted to moveforward with publishing my book and that it would be one of the first books to be published under the new imprint, Ruby Fiction. I signed my contract a week later.

And so exciting times are ahead. I am told the title of my novel will change, and I await the first glimpse of the cover. All of which is new to me; as a previously self-published author, I have made my own decisions about titles and used my own illustrator for covers. I am keen to see how the publisher and the cover designer will interpret my book and I can’t wait to be able to share it.

I am thrilled to be starting this new phase of my writing journey with Ruby Fiction – along with Angela Barton and Caroline James who have also recently been signed.

I know that as I begin promoting my book, I will have the support of the fantastic team of Choc Lit authors whose online response to Ruby Fiction has been warm and welcoming, the support of my new Ruby Fiction family and, of course, my fellow Chindi Authors by my side. Without Jane Cable’s friendly nudge in the right direction (that’s the polite way to put it), I might have missed this great opportunity. New beginnings are exciting, but even more so when you have good people by your side. Thank you Jane x

 

To follow Carol Thomas’ journey to publication visit:

www.carol-thomas.co.uk

http://facebook.com/carolthomasauthor

http://twitter.com/carol_thomas2

www.chindi-authors.co.uk

 

 

 

The Business of Books: A Sense of Place – Jane Cable on how fact and fiction can easily blur

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Writers are inspired by many different things but for me it always starts with a place. A little over two years ago I found myself in the middle of the steam punk festival in Lincoln. People in amazing costumes were everywhere, breathing life into the city’s cobbled climbs and quirky coffee shops. It felt as though I had walked into the beginning of a novel and very quickly I realised that I had. It was just down to me to write it.

Last week I went back. The latest round of editing is almost complete – it won’t be the last, but I’m finally satisfied that the manuscript is almost in good enough shape to be found a home. I have a couple of agents in my sights and a shortlist of three publishers who take direct submissions and whose criteria it fits. This time I’m going to be very careful.

The story has two main locations, the city of Lincoln itself and the picturesque village of Winteringham on the banks of the Humber. I construct the settings for my stories very carefully; I know where the characters’ houses, flats – and barges – are; the places they work; the bars and restaurants they frequent and where my heroine Rachel goes running. In my own mind I create details so rich I inhabit the settings myself – so it comes as something of a shock when they are not quite as I remembered.

Much of the Lincoln part of the story takes place along the Fossdyke Navigation which joins the heart of the city to the River Trent. I think I surprised my husband by saying, “That’s Rachel’s flat” – and surprised myself by having forgotten it has a balcony overlooking the canal. But the story doesn’t need a balcony so I won’t be adding one. The apartment in my mind is so very real it would feel uncomfortable anyway.

I don’t think this is especially strange or odd – no more than is normal for writers anyway. The best of fiction is so much about the richness of the characters, to create them I think you need to actually walk in their footsteps, inhabit their world. For me, once I’ve grounded them in a physical setting, everything else falls into place. I am completely in awe of authors who can imagine and populate whole new worlds.

But I’m having to accept that my memory is far from perfect. I needed a male character who was a without doubt a local man so I picked an unusual surname from Winteringham’s war memorial. On a return visit to the museum in Lincoln I thought it such a co-incidence a Daubney was quoted on one of the display panels. When we arrived in Winteringham, the name wasn’t on the memorial at all. I read it three or four times with growing disbelief. Was another of my characters, the enigmatic Nick, up to his tricks again?

It seems so… either that or subliminal recall is far stronger than we think. I needed to name one of the properties close to the village centre. Not anything too twee, but something comfortingly rural, so I decided on Bramble Cottage. This visit I noticed that the alleyway running up the side of the houses is called Bramble Lane. I leave you to draw your own conclusions.