Catherine Yardley My Writing Process.

As a little girl my nose was always in a book. I would even read a book a day when I was ill. I loved Enid Blyton and Judy Blume. I started writing song lyrics because I was in a band when I was younger and then I changed the song lyrics to poems. I sent them off and one of them ended up in an anthology when I was eleven. It was the start of something for me. I also had a very good English teacher who really encouraged me and told me I could be a writer. All a young person needs is for someone to believe in them.

I have been writing since I was in single figures but I let it slide for a few years to go off and work in the film industry. I started again when I had children and I am so glad I did. I got taken on by one of the first agents I contacted and then I got a traditional publishing deal too. All from the first batch of submissions I sent off. I got offered two different publishing contacts for Ember and I decided to go with Pegasus. They have been amazing. I cannot recommend them enough.

What you have written, past and present.

I have written non-fiction in the past, as well as a lot of articles and such. I have been a travel writer, a restaurant critic and a theatre critic. Ember is my debut novel.

Ember, Catherine Yardley, author.

What you are promoting now. 

Ember is a story about a family who’s father left them on Christmas day when they were kids. Thirty years later the younger sister is getting married and that brings their father back into their lives. The story revolves around Dr Natalie Holmes and her boyfriend Rob in the present day, and her parents Tim and Jacqueline in the past.

Natalie goes off the rails when her younger sister gets married and pregnant before her, and her father comes back into their lives. She dumps her boyfriend on the side of the road and drives off in his car. The book is about love and family. A part of the book is about whether or not we should allow family in our lives if they have been left wanting. Can a family that has been torn apart ever heal their wounds? Will Rob and Natalie get back together? Read it and find out!

Here is the blurb:

A family torn apart by their father’s infidelity are forced to confront the past thirty years later. As Natalie’s younger sister, Amanda, prepares for marriage and impending motherhood, her plea for the family to reunite uncovers pent-up tension and animosity. Can they forget the past and become a family again?

Natalie’s life begins to unravel as their father starts to creep back into their lives and family tensions resurface, affecting her relationship with her boyfriend, Rob. Will the couple find their way back to each other, and can a family that has been torn apart ever heal their wounds?

Can you ever walk away from someone you love, or do some fires never die out?

A bit about your process of writing. 

This was my first novel which I wrote simultaneously with another novel. I would wheel my son around in his pram until he fell asleep and then I would write 2000 words on my iPhone. I always try to write the first draft as quick as possible. I like to keep up the momentum and the same energy. I do 2000-3000 words a day. Editing is always tough but I am as relentless as the editing. Ha.

I have three kids so I have to write whenever I can and focus on it. Having kids has trained me to be ruthlessly efficient when I need to.

Do you plan or just write?

I just write. Total panster. You need an idea and a handle on the character. Then just let yourself fly.

What about word count?

I do 2000-3000 words a day.

How do you do your structure?

My agent, Susan, says I have a great sense of structure and it is one of the nicest things anyone has said about me. I think it is because I read so much. I am with Stephen King. To be a good writer you need to both write and read a lot. Reading teaches you to be an excellent writer.

What do you find hard about writing?

Finding the time.

What do you love about writing? 

Everything.

Advice for other writers. 

Get on with it. Don’t give up. Write and then rewrite. Submit endlessly. Don’t let the rejection get you down. You have to be able to take rejection if you want to be a professional writer. Just take the feedback on board, edit and then send away somewhere else. You can do it!

Ember is out on the 31st March and is available from WH Smith, Waterstones, Amazon and The Book Depository.

My Writing Process Sandie Jones

Sandie Jones, AuthorI’ve been a journalist for the past 25 years, interviewing celebrities for national newspapers and magazines. I started writing fiction in 2017, because writing a book was on my bucket list, but I never imagined it being read by my mother, let alone be published and reviewed by thousands!

My debut The Other Woman was published in 2018 and was a New York Times Bestseller, as well as a Reese Witherspoon Pick. My second novel The First Mistake was published last summer and The Half Sister is out on 25th June.

What is your latest book?

The Half Sister, which is about Kate and Lauren,  two sisters who each feel that the other has the perfect life. When a woman turns up, whilst they’re having a family Sunday lunch, claiming to be their half sister, their worlds are turned upside down and it sends them in opposite directions, in their quest for the truth. But neither of them could ever imagine what they’re about to discover.

Please could you tell us a bit about your process of writing?

It’s changed since writing my first book, as I’m no longer doing it just for myself. There are editors and publishers involved now so instead of, quite literally, making it up as I go along, I now have to have a clear idea of what the story is, where it’s going and how best to get there.

Do you plan or just write?

It goes against my natural instinct to plan anything – I love to just write and see where we takes me, but as I say, I do have to have a solid outline of an idea before I start, which involves lots of spider diagrams and boxes on a whiteboard. Though once I get started, it all tends to change anyway!

How do you think about structure?

I used to think that the books I liked to read had one big twist at the end, but since writing myself, I’ve found that actually, reveals are peppered throughout. I tend to drop a bomb of some description at each third, so as to keep the reader interested and engaged.

Is there anything you find hard about writing?
The planning stage is particularly difficult for me as I feel I’m forcing myself to come up with every twist and turn in advance. However, I am learning that it’s good to have a loose structure to work to and I have understanding editors who know that my best ideas are likely to come when I’m writing.

What do you love about writing?

Everything else! I adore creating characters and getting to know them. I’m at the stage with my fourth book where I don’t want to put it down. It feels like I’m reading a story I’m really invested in and can’t wait to get back to it, to see what happens next. I forget that’s down to me to decide and that’s a great feeling!

Sandie Jones’s books are available here.

More information on Sandie Jones.

Frost Interview | Novelist Hannah Fielding

We were very excited to interview The Echoes of Love: A Story of Secrets, Tragedy and Haunting Love in Venice
author Hannah Fielding. Hannah is a great writer and is very well travelled. Read on for her thoughts on her novel, getting published, her writing routine and her favourite places. Portrait of Hannah Fielding and photos of where she writes.

Tell us about your novel

Seduction, passion and the chance for new love is at the heart of The Echoes of Love.

Set in the romantic and mysterious city of Venice, the beautiful landscape of Tuscany and the wild maquis of Sardinia, The Echoes of Love is a touching love story that unfolds at the turn of the new millennium.

What is your writing routine?

I have a very rigid routine which has served me well. Having researched my facts thoroughly, I plan my novel down to the smallest detail. Planning ahead, I have found, makes the writing so much easier and therefore so much more enjoyable. Then, when I am ready to begin writing, I settle into a regular routine – writing each morning andediting the previous day’s work, taking a break for lunch, writing a little more and then going for a walk somewhere inspirational, like the woods or the beach.

How hard was it to get published?

This only gets more difficult. As readers move from paperback to ebooks, publishers are developing new business models and nothing stays the same. My new publisher resulted from the very positive reception of my first book, Burning Embers, which was published by Omnific in the USA. Working with a London publisher and a younger team is very different, but just as enjoyable.

Why did you choose Venice as a setting for your novel?

I first visited Venice as a young child. Then, as now, I was wide-eyed and enchanted by the beauty of the city. I distinctly remember standing in the main square, the Piazza St Marco, gazing up at the stunning architecture of Saint Mark’s Basilica, and feeling I had somehow entered another world – a fairytale world. Then I looked down, at the square itself, which was overrun by hordes of pigeons. There was nothing beautiful about those birds. They were quite spoiling the place. And it struck me then that Venice is a city of two faces: that which the tourists flock to admire, that makes the city the capital of romance, that breathes new life into the imagination and leaves a permanent, inspirational impression. And the other side, the darker side, that which is concealed in what Erica Jong called ‘the city of mirrors, the city of mirages’.

When I returned to the city as an adult, I became quite fascinated by the concept of Venice – what it means to be Venetian; what the city really is beneath the layers of history and grandeur and legend. Frida Giannini wrote, ‘Venice never quite seemsreal, but rather an ornate film set suspended on the water.’ I understand this quote – there is something fairytale about the place, and with that comes some reluctance, perhaps, to see the realism beyond.

Venice so captured my imagination that I knew some day I would write a romance novel set in this most elegant and fascinating of cities. But it had to be the right story to fit the place. For me, that meant a story that reflected the two faces of Venice – the mask she wears, and the true form beneath.

Tell us about your characters

Venetia Aston-Montagu is a young architect in her mid-twenties who has already suffered heartbreak and loss. Brought up by a despotic father and a weak mother who always deferred to her husband, she can’t wait to leave home and work in Venicein her Italian godmother’s architectural practice. Her past experience has left her reserved and wary of men, but deep down she is a romantic who dreams of meeting the man of her dreams.

Paolo Barone is a millionaire Italian entrepreneur in his mid-thirties who has also had his share of suffering, which makes him at times taciturn. The affinity he feels for Venetia is instant. To start off with, like Venetia, he is afraid of the power of the emotions. Still, Paolo’s past and present are filled with secrets that he jealously keeps locked up in his heart, even from Venetia.

Is Venice the most romantic city?

Italy, for me, is the most romantic country in the world, and Venice is the best of its many ancient and beautiful cities. That is why time and again it tops the polls as the most romantic city in the world.

There are so many reasons I can give for this: the stunning architecture, the sense of history all around, the romantic music, the sublime cuisine, the colours of the buildings and their reflections in the water, the Casanova connection, the passionate

Venetians and their beautiful language, the dreamy drift of the lagoon, the blend of hubbub and calming serenity, the exciting Carnival, the gondolas that bear you around the city in such a timeless, gliding fashion…

You were born in Egypt and have travelled a lot. Where are your favourite

places?

1. Aswan, Egypt

One my favourite places in the world is the Old Cataract Hotel in Aswan in southern

Egypt. Built on a granite promontory in the Nubian Desert on the banks of the Nile,

the dark pink edifice, in the style of Belle Époque villas of the 19th century, has

retained all the beauty and splendour of yester-years.

 

2. The Rift Valley, Kenya

I set my debut novel, Burning Embers, in Kenya because after visiting the country

as a young woman I was captivated by the scenery and the people. The Rift Valley,

in particular, took my breath away, and I could not resist writing a balloon ride into

Burning Embers to allow my heroine, Coral, to take in the magnificent landscape.

 

3. St Paul de Vence

A beautiful hilltop village in Provence, and one of the oldest – founded in the ninth

century. It is known as Le Bijou de la Côte d’Azur (The Jewel of the Côte d’Azur).

The French painter Marc Chagaechoesoflovehannahfieldingll made the village his home for 20 years, and here he

painted wonderfully warm pictures that pay homage to love, some of which can be

viewed at La Fondation Maeght , 623 Chemin des Gardettes.

Your first novel was published last year. Was this one harder to write?

Yes. Because Burning Embers had such a good response, I found The Echoes of

Love a much more challenging experience because I wanted to live up to my readers’ expectations.

 

What next?

I have written a trilogy set in Andalucía, Spain, spanning three generations of a

Spanish/English family, from 1950 to the present day.

Greece is also on the map for a new Hannah Fielding romance novel. I am now in the process of researching and planning a very dramatic love story that takes place on one of the many Greek Islands. I chose Greece because I know that captivating country and its people well – I have good Greek friends. I bought my wedding dress in Athens and my husband and I honeymooned on Rhodes Island. Greek mythology was part of the literature course I read at university and Greece is not far from Alexandria, where I grew up.