Being a Writer: Advice, Musings, Essays and Experiences From the World’s Greatest Authors

Being a Writer: Advice, Musings, Essays and Experiences From the World's Greatest Authors

‘From a very early age…I knew that when I grew up I should be a writer….Between the ages of about 17 and 24 I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books.’ George Orwell.
The above is a quote from this brilliant book. As a writer I could not put it down. I loved it. It is full of inspiration to keep you going when things are rough, and also when you are procrastinating. Divided into sections of introduction, becoming a writer, methods and means, failing, the art of writing, and a sense of an ending. This book can get you out of a jam and has great advice. It now has pride of place on my bookshelf and I will be dipping in whenever I need a dose of inspiration. An essential book for writers.

The joys and challenges of being a writer are explored in this inspiring assemblage of wit, wisdom and hard-won practical advice from some of the world’s greatest authors musing on the art of writing and how they came to define themselves as writers. From Samuel Johnson in eighteenth-century London to Lorrie Moore in twenty-first-century Wisconsin, the contributors range from the canon to contemporary, covering more than 250 years, and come from all over the world. Beautifully illustrated throughout, this stunning anthology explores and illuminates the pleasures and pitfalls of the compulsion to write, with advice about the whole messy business of writing literature and what it takes to be a writer. The perfect gift for aspiring writers, curious readers, and anyone interested in what the world’s greatest authors have to say about the art of writing.

 

by Travis Elborough (Author), Helen Gordon (Author), Joey Guidone (Illustrator)

Being a Writer: Advice, Musings, Essays and Experiences From the World’s Greatest Authors is available here. 

 

Highlights of National Poetry Day 28 September 2017

Wakefield: Poetry on the no 59 Bus

Departing from Wakefield Bus station at 11.21 and travelling along the route to Barnsley
Take your seat for a ride of poetic musing, revolutionary songs and live music from The Merrie City to Tarn and back. Jump on board Bus 59 with The Ukulele Lady and her Boy, musician Jacqui Wicks and poet Ralph Dartford, and experience a journey like no other. All you will need is your fare. This event is part of the Hear My Voice Barnsley Project in collaboration with Wakefield Lit Festival, funded by the Barnsley TUC Training Ltd and supported by Stagecoach.

https://www.wakefieldlitfest.org.uk/events/332-national-poetry-day-on-the-no59-bus

 

 

Jill Abram presents Stablemates: A Poetry Salon with Roger McGough, Malika Booker and Kathryn Maris from Penguin Modern Poets

Foyles, 107 Charing Cross Road, London, WC2H 0DT

 

 

To celebrate National Poetry Day, we’ll be joined by presenter of BBC Radio 4s Poetry Please Roger McGough, Douglas Caster fellow Malika Booker and Pushcart prize winning Kathryn Maris. The evening will comprise of the poets in conversation with Jill Abram, Director of Malika’s Poetry Kitchen, and reading from their work.

 

http://www.foyles.co.uk/Public/Events/Detail.aspx?eventId=3431

 

 

Poetry Breakfast at L’Escargot

L’Escargot  Restaurant, 48 Greek St, Soho, London W1D 4EF

 

Poet in the City’s legendary Poetry Breakfast is back, with a twist. This year we’re transforming Soho’s iconic L’Escargot into a trove of poetic treasures.  Behind door number 1, you might find yourself sitting down for coffee with 2016 Forward Prize-winner Vahni Capildeo, maybe you’ll be meeting Jo Shapcott, 2011 recipient of the Queen’s Gold Medal for Poetry; or perhaps you’ll be sharing a croissant with Sabrina Mahfouz, the award-winning poet and playwright behind With a Little Bit of Luck (2016) and literary anthology The Things I Would Tell You: British Muslim Women Write.

 

http://www.poetinthecity.co.uk/show-event/?pc_event_id=337

 

 

Pop Up Poet Session in Glasgow

Mitchell Library, North St, Glasgow G3 7DN

In celebration of National Poetry Day, live poetry sessions will be held by one of the Pop up Poets from the St Mungo’s Mirrorball. Come along and have a coffee or some lunch and hear some poetry from 11.00am – 1.30pm at the Mitchell Library.

 

Betjeman Poetry Prize

John Betjeman statue,  St. Pancras International Station, London

 

The Betjeman Poetry Prize celebrates the fantastic achievement of this year’s six young finalists at St Pancras International, on the Upper Councourse, by the statue of Sir John Betjeman. Awards presented by the poet Rachel Rooney and the illustrator Chris Riddell, with readings from the young poets. Event starts at 2pm.

 

https://www.betjemanpoetryprize.co.uk/

 

 

Contains Strong Language

Various locations, Hull

 

A major new national spoken word and poetry festival in Hull

 

Starting on National Poetry Day, Thursday 28 September, Contains Strong Language will welcome local, national and international poets, in a celebration of new and existing word craft inspired by our literary city.

 

https://www.hull2017.co.uk/whatson/events/contains-strong-language/

 

 

Business of Books: So Much to Give – Part 2: Jane Cable on how individual authors help charities

Business of Books: So Much to Give – Part 2

Jane Cable on how individual authors help charities

Two weeks ago I wrote about how groups of authors help charities so now I’m going to turn my attention to the valuable input that individual writers can have, both in terms of time and money.

 

Although many authors band together to organise events others go it alone, using all their creativity to make it work. Historical novelist Victoria Cornwall helped her husband to raise funds for the local Cornish branch of Mind by running a slot car racing competition at a vintage vehicle show. To help attract families to the stand she gave away chocolates and bookmarks promoting her debut novel with Choclit. Did it help with book sales? “In truth, I have no idea,” she admits. “But we were raising money for a charity which supports adults with mental health problems so promoting my novel took a back seat.”

 

There are writers who donate all or part of their royalties to causes related to their books or close to their hearts. With the author only receiving a small slice of the price paid by the reader anyway, even amounts which sound quite small – like 10% or £1 a copy – are actually pretty generous gifts. Examples where the book fits the charity are Cassandra Grafton supporting the Jane Austen Literacy Foundation through her latest Austen inspired novel, and TV producer turned satirist Gloria Grayson donating to Mutts With Friends Dog Rescue because a dog is the star of her newly released book.

 

Indie author Emily Williams is so passionate about helping horse charities she is actually writing a young adult novel specifically to raise money. It’s an ambitious project and very much a work in progress, but she’s determined to succeed, even perfecting the art of making origami horses to feature on the cover.

 

Other writers give their time to mentor (psychological drama writer Amanda Reynolds volunteers for The WoMentoring Project) or give motivational talks; former soldier, police officer and crime writer Matt Johnson helps other veterans in this way and is a great example that with the right treatment PTSD can be controlled and overcome. Author and media doctor Carol Cooper will blog to support charities and waive her fees for articles to support good causes. For writers – and for many charities, time is as precious as cold, hard cash.

 

I would wager that most writers do something, however modest. Val Portelli (who writes as Voinks), typically plays down her own contributions: “The only things I’ve done are donate copies of my books as a prize for a fund raising campaign to keep a library open, send copies to a book shop struggling for stock after a devastating area flood, and donate some copies to an old people’s home where a friend worked as a carer.” That really doesn’t sound too much like ‘only’ to me.

 

But for some, the urge to help takes over their lives. Claire Louise Brown’s latest book has Inspired her to set up a charity to build a recuperation centre for veterans. “It’s early stages but hopefully one day what is in the book will be real and helping people every day,” she explains. Freelance writer and teacher Anne Hamilton made that dream real after she visited Bangladesh working for an NGO and wrote a travel memoir about it. This was the starting point for her involvement with Bhola’s Children, a charity which provides a home and school for orphaned and disabled children. She is a trustee and visits Bangladesh regularly. Find out more about the charity here: http://www.bholaschildren.org/.

 

 

 

Selina Siak Chin Yoke On Becoming a Writer

I began writing out of desperation and a cherished dream. While recovering from breast cancer, I went into a chemo-induced depression without realising it. I had no idea what was wrong, only that the ground beneath me seemed to have collapsed. Months passed. When I still found no equilibrium, I went to see a counsellor at the cancer charity, MacMillan, who suggested a bout of creative writing.

Not long afterward, I recalled a dream I’d once had – of writing a novel loosely inspired by my great-grandmother who I had never met. Stories were re-hashed endlessly in my family about this formidable woman who, despite being uneducated, started a business at a time when few women in Malaya did so. She always seemed larger than life – a true role model in a profoundly patriarchal culture.

I began my writing project by doing research. I knew that what I wanted to write was a novel based on real historical events, possibly even on events which my own family had experienced.

Armed with the detailed outline of a story, I planned a trip to Malaysia. I pored through newspapers in the National Archives and interviewed anyone who would talk to me about the old days. Some who gave their time were family members: aunts, uncles and cousins, but a few were people I barely knew. Amazingly, I came across people who had actually met my great-grandmother. Their anecdotes provided a wonderful tapestry which fuelled my imagination further.

Spurred on by Malaysia’s heat and its panoply of aromas, sounds and colour, I began writing the first draft of The Woman Who Breathed Two Worlds, my first novel. The story follows the life of a mixed-race woman during a time of rapid change in Malaya. It is a complex and rich story about cultural identity, set in my hometown, Ipoh. As I described the modernisation of the town and how the protagonist tries to retain her cultural traditions in her rapidly Westernising world, I realised I was telling not only her story but the story of her country, Malaya.

In this way, the Malayan Series was born. My new novel, When the Future Comes Too Soon, follows on from the first book, but the two can be read independently and are very different. In this second novel Malaya is at war. There is a new protagonist, Mei Foong (the daughter-in-law of the heroine in the first book), who is thrown into a world gone mad. Somehow, she must find ways to keep her family alive. How she goes about this and what happens to her and her family lie at the emotional heart of the novel.

Their story is as much about betrayal, in its many forms, as it is about survival and love and what courage means. Sometimes, it takes extreme circumstances for people to discover what they’re made of. This is the case for Mei Foong, who finds her inner steel through war and suffering.

Selina Siak Chin Yoke’s When the Future Comes Too Soon is published byhen the Future Comes Too Soon and out now

 

 

The Business of Books: Jane Cable talks to Choclit author and Romaniac Laura E James

THE BUSINESS OF BOOKS: Connect, engage – and write!

Jane Cable talks to Choclit author and Romaniac Laura E James

1: How much of your working life does the business of books take up?

I like to start the day by clearing my emails and writing my guest posts, updating the accounts, attending to social media – connecting with readers and writers, sharing book-related news, creating adverts – before settling into working on the manuscript, be that research, writing or editing. Quite often time will run away from me, so I’m attempting to stick to a plan of sorting out on what I loosely term admin, until 11:00, leaving the rest of the day for writing, which is anything from one to seven hours. It’s not an exact answer to the question because my working day depends on my health. I have autoimmune conditions, which can dictate my hours.

2: What’s your business model to earn a living from writing?

It’s only recently I’ve converted my way of thinking to writing as a business, so I’m learning and in the process of developing the business model. I write character and issue driven relationship novels, I engage on social media, run workshops and present talks to groups interested in writing and/or my books, take part in interviews, and network when possible. In its simplest form: keep writing, keep engaging, and keep building my readership.

3: What do you write and what do you consider to be your major successes?

I write commercial fiction, often centred on family relationships, with issues and moral dilemmas sending my characters down dark paths. There are strong elements of romance, so I will always guide my characters and my readers towards a happy or hopeful ending. I’m a Jodi Picoult fan and reading her books has had a major influence on what and possibly, how I write.

My first major success was being shortlisted for a short story competition run by Choc Lit (publisher), which resulted in my entry achieving the runner-up position. I repeated this with their second short story competition, and went on to have my debut, TRUTH OR DARE?, published with them.

FOLLOW ME FOLLOW YOU, my second book, was my first to go into paperback, large print, and audio, and the moment I received my author copies is one I cherish. In January 2017, the book was chosen by Apple to be the free iBook of the Week, and it hit the number one spot – my first number one. I was on a writing retreat with friends at the time. Celebrations were had.

My latest novel, WHAT DOESN’T KILL YOU, spearheaded a new imprint – Dark Choc Lit. I feel privileged to have had that opportunity and love that an imprint is in place for darker, harder hitting novels. This is the first of my novels to be sold through WH Smith, in the Travel shops, which is a dream come true.

The Romaniacs, an online blogging group of eight writers, formed in 2011, has to be one of my favourite successes, but it’s not my success, it’s our success. The support and friendship is phenomenal, as is the output – seven out of eight are published/to be published, and/or with agents. In 2015, we won the inaugural RNA Industry Media Stars Award for our work in promoting the romance writing industry. But the real success is how eight people, who met through the Festival of Romance and the Romantic Novelists’ Association’s New Writers’ Scheme, have formed solid friendships for life.

4: Tell me about your latest project.

I’m working on two projects – a mother-daughter relationship story, which has been planned, researched and mapped out on one of my white boards, but is hovering in the background, maturing, and a novel about rebuilding one’s life from the ground floor up, following an emotionally abusive relationship.

Laura E James writes romance without the soft edges.
For further information, go to: www.lauraejames.co.uk or www.theromaniacs.co.uk

 

 

Business of Books: So Much to Give – Part 1

Jane Cable on how authors get together to support charities

It’s that time of year again. The time when Chindi Authors stand outside the Cancer Research UK shop in Arundel for ten whole days during the town’s festival trying to sell books. Not an easy task when the second hand offerings inside are so much cheaper, but we stick at it because we can add to the coffers of this excellent cause, promote our own books and meet readers.

We know we’ll be well supported by our members and local people, but organiser romantic novelist and kidlit writer Carol Thomas was asked by author contacts up and down the country if they could donate too. While she did the charitable thing and set up a donation page – http://www.carol-thomas.co.uk/Chindi-cruk/ – her generosity simply got me thinking about how much writers achieve when they band together for good causes.

The most high profile recent example of this was the Authors for Grenfell online auction which attracted pledges of more than £150,000, over £30,000 of which was for Philip Pullman to name a character after one of the young victims of the fire. Quirky lots did well too, with conductor and writer Lev Parikian putting together a package which bridged both his worlds: “I offered signed books and (more importantly on this occasion, I think) conducting lessons. A bidding war between three people meant we raised £1,700.”

 

CLIC Sargent runs an annual ‘Get in Character’ eBay auction where authors such as crime writer E V Seymour and novelist and poet Claire Dyer have offered bidders a range of lots including – you guessed it – having a character in a book named after them. Critiques prove equally popular and previous Business of Books guest Karen King (https://www.frostmagazine.com/2017/04/how-to-have-more-than-100-titles-published/) offered one in the Authors for Refugees auction last year, an initiative which raised £22,000.

 

Another way of writers getting together to raise money is by giving their time to contribute to and to edit anthologies for causes as diverse as cancer and heart charities, earthquake appeals, women’s rescues and hospices. Some have very personal links to the cause, including saga writer Elaine Everest (also a previous Business of Books guest): “I organised and edited the anthology ‘Diamonds and Pearls’ (Accent Press) to celebrate my 30th anniversary of surviving breast cancer (7 years ago) with funds going to Against Breast Cancer.”

 

Crime & thriller writer Jane Risdon is a serial contributor to anthologies, supporting amongst others Women for Women, Breakthrough, Women’s Aid, The Norfolk Hospice, The Princess Alice Hospice and Save The Children. She was slightly upset when there was no thanks from certain charities, but would still do it again. Other authors say that smaller charities are more responsive than the larger ones so they prefer to work with these.

 

Some writers go the whole nine yards and get together to form charities of their own. A prime example of this is saga writer and Frost contributing editor, Margaret Graham, who together with Jan Speedie and Penny Deacon set up Words for the Wounded which exists to raise funds for injured service personnel through writing prizes and events. It’s a wonderful organisation and every penny goes directly to the people who need it. Authors can help in a variety of ways – Chindi raised almost a thousand pounds by organising a litfest, others give their time to speak at events or in my case I donate £1 for every Amazon review of my book Another You. Find out more about W4W here: http://www.wordsforthewounded.co.uk/.

 

 

Business Of Books: Jane Cable talks to publishing polymath, Liz Barnsley


BUSINESS OF BOOKS: LOVING BOOKS, LIVING BOOKS

Jane Cable talks to publishing polymath, Liz Barnsley

What is your book related job or business?

First of all I’m a reader and reviewer with my own website, Liz Loves Books  – all done for the love of it. On the professional side I work freelance as a submission reader for Orenda books and now as an Editor and Publicity Manager for Lisa Hall at Manatee, our new digital publishing venture. I also take on individual editing, first draft critique and proof reading amongst other things. I also have a “day job” which I’m loathe to give up as I love that too – so all in all it is a busy bookish life and a busy life life! Going into this venture with Lisa was a no brainer for me however – she is an incredible writer and a voracious reader and she knows what a good book looks like and how to get it out there. Who wouldn’t want to be part of that?

 

What is the most rewarding part of it?

Definitely the most rewarding part is seeing the book complete and published and finding a readership – every little that I do to help that happen gives me a huge buzz. I also like the collaborative side of editing when I’m excited about a story and the author is excited about their story – it is all hugely satisfying seeing that spark of an idea become a brilliant novel. I have to say I love reading the raw material before it goes through all the stages, seeing the talent and story emerge from underneath that first sprawl of creativity. I never tire of reading the same narrative during the tweaks because you get a whole different sense of it every time. Ultimately (hopefully!) the white noise disappears and you are left with a beautiful, readable, emotionally resonant or edge of the seat story that you can send out into the world.

 

What do you consider to be your major successes?

Manatee is in the very early stages at the moment so I don’t think we can claim any major successes just yet – although I’m very excited by the authors we have signed so far, all of whom are bringing something different to the table and are putting their trust in us. We focus on crime and women’s fiction – I look after the crime and Lisa looks after the women’s fiction and all our authors so far have written, in my opinion, absolutely excellent, engaging and addictive stories. Also it was somewhat of a confidence boost that bestselling crime writer Neil White had enough faith in Manatee to entrust to us his non crime novel Lost In Nashville. We have persuaded him he might want to write some more fiction for us – he is an incredible writer both within the crime genre and out of it. Watch this space. He will probably tell me off now as he’s busy with his next amazing crime novel for Bonnier Zaffre – but it had to be said that he is certainly not a one trick pony. Now he’ll tell me off some more…

 

Have you always loved books and what are you reading at the moment?

I have ALWAYS loved books. I’ve read many books a week every week since I was very young and I can’t see that stopping anytime soon even though I’m now rather older. Right now I’m reading a brilliant and highly atmospheric novel called “The Monsters Daughter” by Michelle Pretorius – look out for that one – but also several others as I multi read, they include The Innocent Wife by Amy Lloyd, Need to Know by Karen Cleveland, The Fate of the Tearling by Erica Johansen and Strange Practice by Vivian Shaw. Great books all.

 

Manatee Books focuses on quality, ethical, author focused digital publishing. Their aim is to bring a wide range of exemplary fiction to a broad readership, time and time again.

Find out more at www.manateebooks.co.uk.

 

The Diary of a Freelance Working Mother

working mother, mother, working, freelance, blogger, mummy blogger, blogger, parenting blogger, blogger, writing, Hello Frost readers. Many of you will know me quite well, others will be be thinking, ‘Why is the woman being so arrogant to think that we know who she is?’ And you may have a point, so let me introduce myself properly: I am the editor and founder of Frost Magazine. I am also a writer, author, editor, filmmaker and actor. But above all of this I am a mother. Which is the hardest thing of all.

When I got pregnant I felt like I was in a good position as a freelancer. I could be a full time mother AND have a career. Sure it would be hard, but I was used to hard. It is hard not to laugh thinking about this now. Being a freelancer is hard, but the flexibility has always made it worth it for me. Looking back now I can see I was naive when I thought it would be easy. I did not realise just how hard being a mother would be. The funniest thing is that I breastfeed for over a year and I look back at those times when I had a breastfeeding newborn and think of them as the easy days because now I have a two-year-old. For all of those mothers who have babies, enjoy this time. Toddlers are really hard work. Even my sweet and loving son. I know others have it harder. Very much so.

I am going to start this as a column. I am heavily pregnant as I write this and I just want to share the craziness of life as a freelance working mother. The timing is not great. I will be trying my best to take a proper maternity leave and cut back on work. There will be days, weeks even, when I let myself just be a mother and not run myself into the ground. Something that I have been known to do a lot in the past. It has taken becoming a parent to realise that I am not invincible, That self care is important. So I will continue to write my books and run this online mag while I raise my children. But while I am doing that I am going to tell you about how I spend the days taking my son to toddler groups and playing lego, and then writing and answering emails in the evening. I will give you some tips on both parenting and work. I will share with you how I wrote my first fiction book. Spoiler alert: by walking my son around in his pram until he feel sleep and then banging out 2000 words a day on my iPhone. I will talk to you about the guilt and the stress. But most of all I will let you know that I have no regrets at the path I have taken. Being a mother is the best things that ever happened to me. Motherhood is hard and sometimes I feel I am not up to the task, and choosing to work (which I am fully aware is a privilege) gives me back my identity and my freedom. Writers write. So stay tuned. I hope you enjoy the journey.