Tag Archives: writing

My Writing Process – Helen J. Christmas

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Helen J Christmas, authorI am a website designer and an author and have written a five-book mystery thriller series. 

When I was out and about one day, walking our dog along the beach, my imagination ran wild and I remember getting my first ideas for a story. It started with the characters but grew into a suspenseful saga that spanned four decades; this was my inspiration for ‘Same Face Different Place,’ a series I completed in 2017.

Writing is something I’ve always loved, but working full time, it was difficult to find enough hours to write a novel. Once I started however, I found myself waking up earlier (5-6am). So why was I lying there, restless, thinking about my book, when I could be up writing it? This became my prime time for getting the bulk of my story written.

I spent seven years writing my series and it wasn’t just the writing I loved but the planning, the research, the development of new characters and the way the storylines fused together. I always started out with an outline plot but the best ideas flowed when I was creating the scenes. At the time I wasn’t bothered about word count. I tended to include a lot of description and dialogue but this can be whittled down in the editing process to give a tighter novel. 

I derive a huge amount of pleasure from writing but the biggest reward is getting good reviews. No-one can describe the euphoria an author feels when they see a glowing testimonial from a reader. Just the thought that someone has enjoyed your book is a wonderful boost, something that really makes it worthwhile.

I confess to feeling an anti-climax when I reached the end of my series but fortunately, had an idea for a new book. After writing such a huge saga, I wanted to try writing smaller stories. Such was the thinking behind Rosebrook Chronicles, The Hidden Stories. This novel follows the lives of three lesser known characters, all of whom are abused as teenagers. It is the interlocking stories of these characters that drive the plot, a blend of social history and psychological suspense, told from the heart and quite different from my thriller series. It also provides a background.

Writing this, I also experimented with different writing styles, one being present tense, the other first person, which I really took to. So with all this experience under my belt, what would I advise other writers?

This year I started a standalone psychological thriller set in modern day Sussex. I found it a little difficult to get into though, with a whole new cast of characters. It helps to have an outline plot to base your story on, but the one thing that works is getting to know your characters. Try to imagine how they think. Plot their back story, consider their family and friends network, where they work, maybe even what music they like. I’m sure this why my series became so easy to write in the end, because the characters to me felt like real people.

I occasionally end up writing extracts based on one character or scene; something to focus on if the writing process becomes cumbersome. So don’t give up. 

Reading helps too. I like to lose myself in a good book as much as I like writing and with so many good psychological thrillers around, it is inspiration for the soul.

BIO: Helen lives in Sussex with her husband where they work from home in their idyllic 17th C cottage. They began their web design business in 1998 (still running) and other than writing, Helen loves walking, cooking and photography.

Books by Helen J Christmas: 

Beginnings

Visions

Pleasures

Retribution: Phase One

Retribution: End Game (series: Same Face Different Place)

Due to be published in July

Rosebrook Chronicles, The Hidden Stories.

 

My Writing Process – Morton S. Gray

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I am a published writer living in Worcestershire, UK with my husband, two sons and tiny white dog, Lily. I wrote my first novel when I was fourteen. It was a swashbuckling seafaring adventure, complete with galleons, cannons and a dashing hero. The story was heavily influenced by the Errol Flynn films I used to watch with my grandmother on Sunday afternoons. I got swallowed up after that by the education and work system and didn’t write much more than reports and meeting agendas for many years.

Starting to write more seriously when I was taking a break from work due to ill health, I took lots of writing courses and began to shortlist in writing competitions. Then in 2016, I got my publishing break, I won Choc Lit Publishing’s Search for a Star competition!

I have had three books published by Choc Lit so far – The Girl on the Beach, The Truth Lies Buried and Christmas at Borteen Bay, these are all romances with a mystery to solve and set in my fictional seaside town of Borteen. I am promoting the three Borteen Bay series while I finish my next books.

I write almost everywhere I go the old-fashioned way with notebook and pen – cafés, appointments, waiting for trains. I have piles of notebooks filled with stories. I generally prefer to write away from home, as I get too distracted by things that need doing in the house and, of course, by the dog. At least writing longhand in this way, the first time I put the words onto my computer it acts like a first edit of the manuscript.

My genre is romantic suspense, but I usually get so carried away with the mystery part of the book that I have to catch up with the romance when I’m editing. I don’t plan, I just write, that way the novel writing process is enjoyable for me as I don’t know what is coming next. My novels appear to naturally evolve. I read a book called Big Magic by Elizabeth Gilbert (the same person who wrote Eat, Pray, Love) and in it she talks about ideas and stories floating in the ether waiting to download to a receptive person and this is truly how it feels when I’m working.

I love writing, but with a teenager doing exams, a dependent mother, a husband who works abroad and a demanding dog, I often struggle to find time to myself (hence the haunting of coffee shops!). Nothing can compare to the feeling I get when the words are flowing and I get very twitchy if I haven’t had space to write.

For aspiring writers I think the most important thing is to write a story that sings to you, because that will allow you to write a story that sings to your readers too.

 

Biography for Morton S. Gray

Morton lives with her husband, two sons and Lily, the tiny white dog, in Worcestershire, U.K. She has been reading and writing fiction for as long as she can remember, penning her first attempt at a novel aged fourteen. She is a member of the Romantic Novelists’ Association and The Society of Authors.

Her debut novel The Girl on the Beach was published after she won the Choc Lit Publishing Search for a Star competition. This story follows a woman with a troubled past as she tries to unravel the mystery surrounding her son’s new headteacher, Harry Dixon. The book is available as a paperback and e-book.

Morton’s second book for Choc Lit The Truth Lies Buried is another romantic suspense novel, The book tells the story of Jenny Simpson and Carver Rodgers as they uncover secrets from their past. This book is available as an e-book, paperback and audiobook.

Christmas at Borteen Bay is Morton’s first Christmas novella. It is set in her fictional seaside town of Borteen and follows the story of Pippa Freeman, who runs the Rose Court Guesthouse with her mother, and local policeman Ethan Gibson, as they unravel a family secret as Christmas approaches.

You can catch up with Morton on her website www.mortonsgray.com, on

Twitter – @MortonSGray, her Facebook page – Morton S. Gray Author – https://www.facebook.com/mortonsgray/ and 

Instagram – https://www.instagram.com/morton_s_gray/

Purchasing links for The Girl on the Beach at http://www.choc-lit.com/dd-product/the-girl-on-the-beach/

Purchasing links for The Truth Lies Buried at http://www.choc-lit.com/dd-product/the-truth-lies-buried/

Purchasing links for Christmas in Borteen Bay at https://www.choc-lit.com/dd-product/christmas-at-borteen-bay/

My Writing Process – Juliette Forrest

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My writing journey began quite late. After I left school, I moved to London and worked as an art director in advertising. It was years later, during an evening class at Glasgow School of Art, that it finally dawned on me I was awful at life drawing. So, I gave it up to attended my first writing class on a Saturday morning at Glasgow University. I wrote a piece for the group and the teacher suggested I could have the beginnings of a children’s book. I thought he was bonkers – but decided to give it a go. When I won a New Writers Award from Scottish Book Trust in 2014, everything changed. They gave me a bursary, a mentor, time away at a retreat, social media training and voice coach sessions. It was their belief in me that spurred me on to finish my first book, Twister, which was published by Scholastic in February 2018. It was a Sunday Times Book of the Week, The Guardian’s ‘must-read’ kid’s book of the summer and won the Calderdale Book of the Year Award 2019. I’ve just finished as Writer in Residence at All Saints Primary in Greenock and my second novel The True Colours of Coral Glen launches on July 4th.

What is your process?

I tend to work quite early in the morning because there are fewer distractions. I think one of the most positive influences on my writing process is my dog. He won’t let me sit at my laptop for too long and walking him gives me the space to work out plot or dialogue. Plus, I meet colourful characters in the park, who always make their way into my novels.

Do you plan or just write?

I use my synopsis as a guide and think carefully about what needs to happen to drive the story forward. I let it rattle around inside my head for a while, so I can tinker around with it and explore different options. It helps for me to imagine the story as a film playing out – so I tend to visualise each chapter before I begin writing.

What about word count?

Some days, I don’t seem to be able to write much at all, and others, I can whizz through entire chapters. I don’t adhere to a strict daily word count for this reason. If it’s not happening, I never berate myself, but turn my attention elsewhere for a while. There is always something to be getting on with like research or answering children’s letters.

What do you find hard about writing?

I’m often convinced I’ve got a great plot idea and I’ll spend ages working on it, only to discover at the very last minute that it’s flawed. I find this frustrating – like it is precious time wasted. However, I do believe it’s good to go down the wrong path because when you eventually hit the right one, you feel confident the story is the very best it can be.

What do you love about writing?

I absolutely love creating characters. There is one I’m working on for my next book who is going to be so much fun to spend time with. It’s brilliant when a character comes alive and tells you what is going to happen next. If you’re surprised, you can be sure the reader will be too. The next best thing about being a children’s author is chatting with the kids at events. It makes all the blood, sweat and tears worth it.

Advice for other writers?

I think it’s important you always celebrate when good things happen with your writing because any achievement in this industry is huge. And I firmly believe there is no genius except for the genius of hard work.

 

Published on 4th July.

 

My Writing Process | Holly Wainwright

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I’m Holly Wainwright and I’m a writer and a journalist, editor and a podcaster – all the things.

Most recently and significantly, I have written two novels – The Mummy Bloggers and How To Be Perfect, about women who write on the Internet and whose online personas don’t much match the chaos and artifice of their real lives. The books are really all about the lengths people will go to for Likes.

Latest Book.

The Mummy Bloggers. It was my first book, it’s just come out in the UK via Legend Press and I’m very proud of it.

A bit about your process of writing.

I find I have to treat writing a book in the same way I treat a job – I sit down every day with a number of words in mind and I just do it, even if I don’t love the words. The idea is that I can fix that later. Some days the discipline works, others not so much!

I also mostly write sitting on my bed, in silence. Other than when my kids come and ask, ‘What you doing?” and proceed to make a mess of everything.

Do you plan or just write?

A bit of both. Our bedroom wall at home is covered in Post-It notes, which is how I plot out a book with the characters and then, Chapter by Chapter. Post-its are great because you can move them around, but I do find myself procrastinating by obsessing about colour and placement!

But once all the Post-Its are up, often the conclusion of plot-points come to me as I’m writing. That’s the best kind of day, when problems are just solving themselves on the page.

What about word count?

I would often give myself a daily word-count. I wouldn’t get to it every day, but I’d aim for most. I don’t think I’ll ever forget the feeling of hitting the word count on my first book, I was so bloody proud.

How do you do your structure?

See aforementioned Post-It note wall – very high-tech.

What do you find hard about writing?

The constant self-doubt. And the amount of tea I drink while I’m doing it…. lots of toilet breaks.

What do you love about writing? 

Everything else. On a good day, when it’s working, there’s nothing that makes me happier, puts me in a better mood and feels more like the thing I should be doing with my time. Creating people and worlds is the best job in the world.

Advice for other writers. 

Don’t assume it’s easy for everyone else and you must just be the untalented one. Writing is difficult for everyone who does it well.

That, and to lay off the cups of tea a bit.

Holly is the author of The Mummy Bloggers (Legend Press, out now) and How to be Perfect (out 1st November)

Our social media is:

Legend Press @legend_press on Twitter, @legendpress on Instagram
Holly is @hollycwain  on Twitter and @wainwrightholly on Instagram

 

My Writing Process | Deborah O’Donoghue

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sea of bones author , Deborah O’Donoghue,How I write.

I tend to be inspired by theme and place, and then characters and situations start to come to me. I write scene by scene, then I go back, layering in descriptions and character information.

A bit about you. 

I live in Brussels at the moment, which is a fantastic city, really international. I grew up on the south coast of the UK and always wanted to write and tell stories. I was very into theatre and acting as well, but I soon realised you had more creative control if you were writing. My parents encouraged both my sister and I along these lines; there were always books in the house, Dad would make up silly rhymes at the dinner table, and Mum spent hours typing up my stories before I learned to do it myself.

What you have written, past and present.

I wrote lots of stories at school and had great teachers who were kind enough to put them into the school library! Aged eleven, I sent a manuscript to Faber and Faber. It was about a gang of kids and a brother in the army and something to do with the Ministry of Defence, so I guess thrillers are in my DNA! A kind editor at Faber wrote me a letter with some excellent tips!

At university I adapted a short story by Muriel Spark into a play and took it to the Edinburgh Festival. I had a brief exchange with the Dame herself, to get permission. I contacted her through her agent and she lived in a farmhouse in Tuscany which seemed enchanting to someone who’d grown up on a British housing estate. It was really exciting and inspiring!

I went into teaching, which I loved, but it was so all-encompassing I only really had time to write short stories. So that’s what I did. I was shortlisted in a Commonwealth Broadcasting competition for a flash fiction piece.

In 2015, I left my job and moved to Brussels to be with my partner. I decided it was time to put my money where my mouth was and sit down and write a novel.

What you are promoting now. 

Sea of Bones – my debut novel. It’s out on 1 July 2019. It’s a psychological thriller with a political backdrop and a strong female protagonist, set in Scotland as well as taking in London, Manchester, Liverpool, and Wales! I’m really lucky it found such a good home with Legend Press, and now I’m working several ideas for a follow up. I’ve a sequel in mind, but also two other thrillers – one set between the UK and Spain, and one about the entertainment industry.

What is your process of writing?

I try to write every day, for three or four hours at least. I do some exercise in the morning, then I usually go out to write because if I’m at home I get distracted by chores. There’s a wonderful café near me overlooking some lakes and I go there and they are very kind to me. It’s lively, which I like – a bit of stimulation. I tend to edit as I go, which many people say is bad practice, but my inner critic is too loud for me to ignore.

When I started, I put out a call to published friends to see if any would be prepared to have coffee occasionally and share their wisdom. I was amazingly fortunate that Rosie Walsh responded and ever since we have sent each other writing regularly, encouraged each other and helped solve each other’s plot issues. It’s easier solving someone else’s problems than your own!

Do you plan or just write?

I do plan. I spend enough time looking at a screen, so I have a physical whiteboard, covered in post-its of different colours for different plot elements, with scribblings and ideas for scenes. But the plan changes as I write. As you get to know the characters in situ, you realise you need to add scenes in, move things around and so on.

What about word count?

I try not to worry about word count although when you’re up against a deadline you do have to take that seriously. It obviously feels good when you’ve written a decent amount in a day, but so much of the work of writing is research and thinking that being obsessed by word count can be counter-productive.

How do you do your structure?

I’m interested in the theory of writing and I like form to reflect content. I compare what I’m doing to things like Blake Snyder’s beat sheet. I’m also re-reading The Way of the Writer by Charles Johnson at the moment. But sometimes the theory can make you freeze up, if what you’re doing doesn’t seem to fit. It’s important to see how other writers do it and what they can get away with. That can free you back up again.

What do you find hard about writing?

I’d already had a career in education where there’s a clear pathway, so it’s quite disconcerting entering a new industry and feeling your way, understanding how it works. In teaching you get immediate feedback on what you’re doing, from classes as well as colleagues, so it’s quite a change learning to wait and be patient. What else? For me, it takes sustained periods of concentration and investment to really get going, so it’s hard chopping and changing and combining writing with other tasks, but that’s just life. Maintaining confidence in your vision and balancing that with listening to others’ views can be difficult too, but I’ve found I really enjoy picking my way through other’s opinions on what I’m doing, working out what I agree with and what don’t. It’s a great way to find your voice.

What do you love about writing? 

I love words. I love that you can create atmosphere with words and that they have a feel of their own. Zenith, peak, high point, summit – they have their own sound and shape and feel within a sentence. Plus, it’s wonderful doing a creative job, where I get to meet and talk to people and research and learn about all sorts of things. Being a teacher was very rewarding but it meant having my day divided into little blocks and not being allowed to leave the premises even for breaks or lunch, so it’s a complete privilege managing my own time.

Advice for other writers. 

There’s the all-important one, which is . . . write! But also read of course. More practically, if you want to be published it’s important to learn about the industry, network (which can be anathema I know, as many writers are quite solitary people!) and put your writing in front of others and hear what they say. Attending writers conferences and meeting agents and editors is a good way to do it because you can get lots of advice from different people all in one go.

 

Deborah’s debut novel Sea of Bones is out on 1st July.

My Writing Process | Rosanna Ley

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How I write.

A big question! To be brief… Once I have a detailed synopsis I tend to write each new scene longhand in a notebook and then edit it as I get it on to the computer. More edits follow and then I move on to the next scene. Once I get to the end of the book I’ll go back for more editing and consider if I’ve got the structure right. Final edits are about fine tuning and polishing.

I’ve written all my life and also done a lot of teaching of creative writing here and abroad with a particular interest in both novels and life-writing for therapeutic practice. I moved to West Dorset, my ‘soul-home’ seven years ago and find it inspirational and peaceful. I love travelling and my books are always based in foreign climes as well as either Dorset or Cornwall or occasionally somewhere else in the UK. I like to think of the books as mainly relationship driven – I’m very interested in people!

What you have written, past and present.

I’ve written 8 books for Quercus including The Villa and Bay of Secrets as well as numerous short stories and articles.

What you are promoting now. 

The Lemon Tree Hotel out in paperback 13th June 2019.

Do you plan or just write?

Plan. I do a lot of planning which gives me a good structure to come back to if I then decide to go off piste. Organic writing is lovely and spontaneous but it tends to require a lot of editing…

What about word count?

My books are between 115,000 and 130,000 words long and they always turn out that way…

How do you do your structure?

Before I begin, I think about timeline, viewpoint and narrative tension and decide on the main structure of the novel. I’ll change it if it doesn’t seem to be working. I don’t work to any kind of formula in terms of narrative arcs and points of tension – I don’t want my books to become formulaic and prefer to trust to my instincts.

What do you find hard about writing?

I may have lots of ideas but it’s often hard to form these into an outline that will give me a sufficiently strong story-line (or two) and which will work on all the levels I need it to work. Structural editing can also be very difficult and requires a lot of clear head-space!

It can be hard, working to a deadline and for all writers there is a lot of pressure and often anxiety to deal with. I also hate waiting to find out if readers like my book…

What do you love about writing? 

I love the feeling when I know I’ve written a good scene or even a good paragraph and I’m totally satisfied with it – there’s nothing like that feeling for me. I also love being able to go off in my imagination and take control of another world (control freak – haha). I love it when a character starts speaking to me in my head and I love the process of writing a first draft on a fresh page of my notebook whilst sitting on a warm beach somewhere. I love going to new or much-loved places and planning how to set a novel there. I love research but sometimes get too interested in it. I love it when the finished book is delivered and looks beautiful – but I’m already worrying about the next one and whether it is good enough! 

It turns out there’s a lot I love about writing, which explains a lot…

Advice for other writers.

Read a lot. Write about what you want to explore. Don’t start writing fiction until you hear the voices in your head. Plan or don’t plan – do whatever feels right. Listen to advice from people who know what they’re talking about. Don’t listen to advice. Don’t give up. Go for a walk or do the ironing if you get stuck. Enjoy. (Turns out there are a lot of contradictions in writing advice too)

 

The Lemon Tree Hotel by Rosanna Ley will be published by Quercus in paperback on 13th June, £7.99

My Writing Process – Valerie Holmes

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Valerie HolmesMy childhood memories of growing up in a North Yorkshire coastal town are vivid. The flat sandy bays, marram grass covered dunes, salt marshes, woodland and moors provided a natural playground. The Tees estuary to the north was industrialised, but the natural beauty of the sweeping bays and rugged headlands down to the ancient port of Whitby has a fascinating history. My mother had Multiple Sclerosis and died too young, so walking my dog and exploring the outdoors was important to me.

I love writing and am an experienced creative writing tutor independently and for The London School of Journalism and Writing Magazine. 

The Yorkshire Saga series, published by Sapere Books, is set in the region in early nineteenth century. I have had over 40 novellas published by F A Thorpe, both romance and mystery – historical and contemporary.

The third book in The Yorkshire Saga series ‘To Have and To Hold’ is published on 17th June, and the fourth ‘In Sickness and In Health’ has just been delivered to Sapere.

They are all set in or around the same fictitious villages of Gorebeck and Ebton nestled in the shadow of the headland of Stangcliffe (based on Saltburn and Huntcliffe). 

Set against social changes as a result of the wars with France: smuggling, espionage, press-gangs etc. I have been researching the era and the region for years.

A bit about your process of writing.  & What about word count?

 I write 1000-1500 words a day. The next day I will return to the work of the previous one and overwrite it, then add on the new words for that day, repeating the process until I have reached a satisfying ending and an acceptable total wordage.

Do you plan or just write?

Normally, I begin with a character, place and situation and then run with it. Once I have a few chapters drafted and the secondary characters have appeared on the page I plan what will happen: conflicts, subplots, character changes and the satisfying ultimate resolution of the core plot.

 

I like to explore the many facets of love from friendship, maternal/paternal to obsessive and manipulative, keeping the central theme as the spark that links two people together, drawing them into a relationship kindled by true love, regardless of social class.

 

Love bonds people together. Laws can dictate the controls within a culture which restricts or allows certain behaviour, but, I believe, most people want to have that special person in their life to love and be loved. I want the reader to be left feeling satisfied and positive about the future.

 

How do you do your structure?

 

I like to build up to a mid section that has a lot of things going on and kicks off new problems to drive the plot through to the end.

 

What do you find hard about writing?

 

After I have edited two drafts and left the project alone for a couple of weeks, even returning afresh to it, I am so close to the story that it is difficult to see what should be cut out or left in – that is why a good editor is so important to the finished book.

 

What do you love about writing? 

 

I love the adventure – I love creating the characters and setting them off to face a series of challenges and then figuring out what will stand in their way and how they will ultimately achieve their goal.

 

Advice for other writers

 

The publishing business is tough. It is a business and although we are creative we have to look at it like that. There are hours spent alone just writing. Love it. Love the whole process, embracing the challenge. The more you write, the better you become. Once published the challenges change. Be dedicated and determined and take on board constructive advice.

Most importantly enjoy every minute. 

 

My Writing Process – Margaret Graham

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I think a lot before I even put fingers to keyboard. I have a rough plan, and character, and get to know them, and the plot, and theme, which of course will drive the plot.

 

I have been writing for over 30 years, under three different names. Novels, and series, features, plays including a community play. And helped to research a TV documentary that grew out of a novel, Canopy of Silence.
I have written the first of a series The Girls on the Home Front set in WW2. There is fashion in writing, or should I say publishing. At the moment there is a thirst for series about 2nd WW!!. When Downton Abbey was on, it was 1st War. The thing is, a writer must write for the market, we produce a product. Sound basic, but there you are. Packaging is key. You will note there are fashions in packaging too. Sagas seem to be three women against a library photo shot of a street or something.
Tell us about your process
Sit down  and do it! I get the idea, research the period etc. make notes, and all the time one’s mind is working, and arriving at a plot. Then you have to BE the characters, all of them, so they come alive.
Do you plan or just write?
I plan but not nearly as much as I did. I think that’s experience, I know now what is necessary.
What about word count?
Women’s fiction is usually about 100,000 words these days, but if you have a publisher they will tell you what they want.
How do you do your structure?
There is of course, only one structure: one shape, Normal world, then a point of change, then a rising arc to two thirds through the book, when there is a climax and it seems all is well, but like Cinderella the ball, the clock strikes, and it all goes wrong, so the last third is about resolving it finally, though no need to tuck it up neatly, just to show that the characters have developed enough to find a way through.
One main character and protagonist and antagonists. There has to be a theme, or message or it’s without depth.

And exposition, scene setting, showing not telling because we live in a visual age, so people are used to seeing things, not to wading through lots of telling. So create scenes, and it’s best if it’s through the eyes, (or point of view) of one person only in a scene. It helps with empathy.

What do you find hard about writing?
Actually doing it, I suppose. The day to dayness of it.  I write two a year, as well as being a Frost Magazine editor, and running my charity, Words for the Wounded so it’s a rush.
What do you love about writing?
Creating other worlds, and being in control of those worlds. As a parent I realised long ago I was in control of very little, but in fiction the characters have to do as they are told.
Advice for other writers.
Learn the skills – go to a credible writing class, or mentor group. It’s an apprenticeship and as such, you need to learn the craft. It is a craft, a nuts and bolts craft, not an arty farty Art. Basically, get down and dirty, and keep at it, share your work with a group, listen to constructive not destructive criticism, read to see how others do it. And don’t rush.

My first bit of writing, a novel, After the Storm was published. My very first bit of writing, so I had to learn in full gaze of the public. I switched point of view within scenes, and put in too much research and not enough dialogue. But it worked. My later books, however, are considerably better and easier to read. And  of course, enjoy it. No point otherwise is there, life is too short.

http://www.margaret-graham.com

www.wordsforthewounded.co.uk

https://www.facebook.com/margaretgraham4/