SUNDAY SCENE: DEBORAH CARR ON HER FAVOURITE SCENE FROM THE BEEKEEPER’S WAR

I’ve always dreamt of owning a folly and specifically to have one as my writing space. I’ve also always loved the thought of having a walled garden where I could grow vegetables, fruit trees and flowers. I don’t have either of these and doubt that I ever will but there was nothing stopping me putting both of them in a book. It had to be the right book though and when I was writing my latest historical novel, The Beekeeper’s War I knew this was that book.

The Beekeeper’s War is set during the First and Second World Wars when Pru Le Cuirot, a young Jersey girl and her friend go to work as nurses in a beautiful manor house in Dorset being used as a hospital for recuperating injured soldiers. Later in the book Pru’s daughter Emma goes to stay at the manor and discovers an unfriendly beekeeper tending to his beehives in a beautiful walled garden. When Emma arrived she was told to enjoy the grounds but stay away from the folly, which is why she went looking for someone to speak to and ask where the folly is so she that could avoid it.

Not wishing to go where she shouldn’t, Emma decided to ask someone so that she could avoid the folly. She spotted a walled area to her right with a painted wooden door, so she doubled back on herself and went to look inside. It was slightly open so she entered, relieved to see someone working at the far corner. It was a beekeeper. He would know where the folly was, surely.

‘Hello?’ Emma called. He didn’t seem to hear her as he stood pointing a metal container with smoke coming out of it at one of the hives. She walked closer to him and called out to him once again. ‘Excuse me?’

The next thing she knew, she was being pushed roughly from behind. Emma shrieked as she fell forward, landing hard on the stone pathway. She gritted her teeth as pain shot through her right knee, and, sitting up, she turned to see who had attacked her.

‘Buddy!’ the man bellowed. ‘Get down, now!’

Emma saw a large bouncy dog that looked like a cross between a Labrador and something else.

The man tapped his thigh and the dog loped over to him. ‘Are you hurt?’ he asked, hurrying over to her.

Emma raised her hand. ‘I’m fine,’ she insisted, not sure that she was, and rubbed her sore knee. She got to her feet.

The man stared at her. At least she presumed he was staring at her. It was a little difficult to see though the beekeeper’s hat with the black mesh obscuring his face.

‘Did you want something?’ He didn’t seem all that friendly all of a sudden, which was odd, seeing as it was his dog that had pushed her over. Maybe he was simply surprised to see a stranger in the garden.

‘Um, I was wondering if you could help me.’

‘Should you be in here?’

‘Yes.’ She realised that entering the walled garden hadn’t been the clever idea she had imagined it to be.

‘Really?’

She wasn’t sure what business it was of his but, wanting his help locating the folly, decided to appeal to his friendlier side. If indeed he possessed one.

 

The Beekeeper’s War is out on July 21st. Find out more about my books at deborahcarr.org.

TWO EVOCATIVE AND INNOVATIVE DUAL TIMELINE ROMANCES FROM ONE MORE CHAPTER

Dual timeline romances based around the First and Second World Wars are tremendously popular, but these two new summer releases from One More Chapter break the mould: Deborah Carr’s moved between WW1 and WW2, and Eva Glyn’s is set in the former Yugoslavia, a theatre of war in the 1940s that is barely mentioned in modern fiction.

 

The Beekeeper’s War by Deborah Carr, reviewed by Eva Glyn

An unusual dual timeline in that it is set during the First and Second World Wars, but I enjoyed The Beekeeper’s War all the most because of it.

I have read Deborah Carr books before and she is so skilled at recreating believable and accurate historical settings and characters, without ever beating you over the head with it. The history just flows as the natural backdrop for her story, which is of course how it should be but is nonetheless not easy to achieve.

The novel opens in 1916 when two friends from Jersey, Pru and Jean, are nursing wounded soldiers. Despite herself, Pru begins to fall for a handsome airman Jack who visits Ashbury Manor and is a close friend of the son of the house, Monty, who is a patient there. Jack is still very much on active service and the book opens with a scene of him escaping his German captors a year later, so we know this affair is not going to run smoothly.

In 1940 Pru’s daughter Emma finds herself at Ashbury to stay with her mother’s friends, determined to unlock some secrets from the past. To say more would spoil this story and that I don’t want to do, because it is such an enjoyable read I’d like you to find out for yourself.

 

An Island of Secrets by Eva Glyn, reviewed by Kitty Wilson

I raced through this novel over the course of two days and was thoroughly swept into the story of Guy and Ivka, as well as that of Leo and Andrej. The only drawback being that it ended too quickly and I should have savoured it.

It is written as a dual timeline and is seamlessly woven together as Leo goes in search of answers to outstanding questions her elderly grandfather has about his time in Yugoslavia (as it was) in the Second World War. I found the story of Guy as an SOE operative on the isle of Vis truly compelling and Eva Glyn writes with a sensitivity and insight that comes across on every single page. She truly bought home the scenes where Guy witnessed the horrors of war and I was totally pulled into the story as he battled with the choices he had to make.

From the very start of his first meeting with Ivka I was so invested in their relationship, they seemed like a natural good fit and I couldn’t help but respect the courage both of them showed on a daily basis. In fact, all the characters were written in a way that had you aware of their flaws but thoroughly rooting for their success.

But for me the most outstanding element of this fabulous novel was Eva Glyn’s way of conjuring the isle of Vis in the reader’s mind, she had me there seeing and smelling and feeling the scenery and made me feel that I could truly inhabit her characters’ world.

Overall, I found this novel to expertly crafted and cannot recommend it highly enough, it is a deeply impactful and emotionally powerful read and the story of Guy and Ivka in particular will stay with me for a very long time.

 

 

 

 

Lest We Forget – Last WWI Veteran Dies

With the passing of the last World War One veteran, 110-year-old Claude Stanley Choules, on May 5th, the terrible battles of the Great War also pass out of living memory.

When we look at pensioners on the street, it’s difficult to imagine that they were once young and in many cases performed heroics in global conflicts that we, with our largely cosseted lives, can only guess at.

So, for once, I am going to break one of my cardinal rules and use Frost for an unashamed plug, because it’s a book that everyone should read – and remember.

Ebury Press’ ‘Forgotten Voices of The Great War’ by Max Arthur captures the first-hand accounts of the men and women involved in the bitterest of wars that cost the lives of some 37 million people.

Gunner Leonard Ounsworth: “In the evening, we went up to Trones Wood. There were no trees left intact, just stumps and treetops and barbed wire mixed together, and bodies all over the place. Jerries and ours.

Robbins pulled up some undergrowth and as we fished our way through there was this dead Jerry, his whole hip shot away and all his guts out and flies all over it. Robbins stepped back and then this leg that was up a tree became dislodged and fell on his head. He vomited on the spot.”

Private Charles Taylor: “I started crawling towards our lines and I had never seen so many dead men clumped together. That was all I could see and I thought to myself, ‘All the world’s dead.’”

Private Harry Patch: “ All over the battlefield the wounded were lying down, English and German asking for help. We weren’t like the Good Samaritan in the Bible, we were the robbers who passed by and left them. You couldn’t help them. I came across a Cornishmen, ripped from shoulder to waist with shrapnel, his stomach on the ground beside him in a pool of blood. As I got to him, he said. ‘Shoot me.’ He was beyond all human aid. Before we could even draw a revolver he had died. He just said, ‘Mother.’ I will never forget it.

Lest we forget too.