Tag Archives: WW2

JANE CABLE REVIEWS THREE VERY DIFFERENT SECOND WORLD WAR NOVELS

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Hope for the Railway Girls by Maisie Thomas

I rarely follow a whole series, but the Railway Girls’ Second World War novels gripped me from the very first one. The characters are fresh and stand out from the page, there is tension, pathos and heartbreak, but more than that, there is joy – and that is important.

So often I find sagas descend into what I call ‘it’s grim up north’ where the heroines’ hardships and battles become so impossibly dark the book is no longer a pleasure to read. What is so clever about Maisie Thomas’s work (both in this series and The Surplus Girls, which she writes as Polly Heron) is that the moments of high tension – and frankly apparently insoluble conundrums – are balanced by humour and happiness. And of course, they’re so very beautifully written.

In this fifth book we follow Alison as her new romance develops, Joan as she approaches motherhood, and a relatively new viewpoint character Margaret, who I found the most interesting of all. If you haven’t read the other books these names will mean nothing to you, but I urge you to go back and start at the beginning of the series. You have an absolute treat in store.

 

The Helsingor Sewing Club by Ella Gyland

I love an unusual Second World War story and when I heard this one was set in Denmark I really wanted to read it. In part my choice was influenced by having loved Elizabeth Buchan’s I Can’t Begin To Tell You so much, but The Helsingor Sewing Club deals with a completely different aspect of Danish resistance.

I didn’t know that, thanks to the Danish (albeit puppet) government, Jews were safe from persecution until 1943. Or that when the wrath of the Nazis descended on them the vast majority of Danes were prepared to help them to escape. This book provides a fascinating glimpse into that tiny slice of the country’s history and I loved it.

But no novel is ever a history lesson and Ella Gyland creates wonderful characters, not always brave, sometimes full of fear and even despair, but you love them all the more for it and root for them all the way. The whole story is fraught with tension and there are some truly heart-stopping moments too. My only slight reservation is that I thought the book was strong enough to stand without a contemporary narrative running alongside it, although I do appreciate most readers will have loved it exactly the way it is.

 

The Frequency of Us by Keith Stuart

I’m a sucker for a great premise: in 1942 radio engineer Will regains consciousness after a bombing and realises the love of his life, Elsa, is missing. But he is told there was no one else living with him, and no records of her seem to exist.

Seventy years later Will is struggling to cope and is refusing care, but he sees a kindred spark of loss in Laura and lets her in. It’s a prickly, difficult, unlikely yet beautiful relationship which evolves as strange things happen in the house compelling Laura to try to uncover what happened.

The flashbacks to Will’s wartime romance with Elsa provide relief from the unremitting greyness of Laura’s battle with mental illness and Will’s with old age. Whose mind is playing the most tricks? Clues are revealed, but none of them fit; indeed some of them seem completely contradictory.

Every thread is drawn together in the end, and although I found the ultimate answer deeply unsatisfying, I have to say I enjoyed the journey.

 

 

SUNDAY SCENE: DEBORAH CARR ON HER FAVOURITE SCENE FROM THE BEEKEEPER’S WAR

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I’ve always dreamt of owning a folly and specifically to have one as my writing space. I’ve also always loved the thought of having a walled garden where I could grow vegetables, fruit trees and flowers. I don’t have either of these and doubt that I ever will but there was nothing stopping me putting both of them in a book. It had to be the right book though and when I was writing my latest historical novel, The Beekeeper’s War I knew this was that book.

The Beekeeper’s War is set during the First and Second World Wars when Pru Le Cuirot, a young Jersey girl and her friend go to work as nurses in a beautiful manor house in Dorset being used as a hospital for recuperating injured soldiers. Later in the book Pru’s daughter Emma goes to stay at the manor and discovers an unfriendly beekeeper tending to his beehives in a beautiful walled garden. When Emma arrived she was told to enjoy the grounds but stay away from the folly, which is why she went looking for someone to speak to and ask where the folly is so she that could avoid it.

Not wishing to go where she shouldn’t, Emma decided to ask someone so that she could avoid the folly. She spotted a walled area to her right with a painted wooden door, so she doubled back on herself and went to look inside. It was slightly open so she entered, relieved to see someone working at the far corner. It was a beekeeper. He would know where the folly was, surely.

‘Hello?’ Emma called. He didn’t seem to hear her as he stood pointing a metal container with smoke coming out of it at one of the hives. She walked closer to him and called out to him once again. ‘Excuse me?’

The next thing she knew, she was being pushed roughly from behind. Emma shrieked as she fell forward, landing hard on the stone pathway. She gritted her teeth as pain shot through her right knee, and, sitting up, she turned to see who had attacked her.

‘Buddy!’ the man bellowed. ‘Get down, now!’

Emma saw a large bouncy dog that looked like a cross between a Labrador and something else.

The man tapped his thigh and the dog loped over to him. ‘Are you hurt?’ he asked, hurrying over to her.

Emma raised her hand. ‘I’m fine,’ she insisted, not sure that she was, and rubbed her sore knee. She got to her feet.

The man stared at her. At least she presumed he was staring at her. It was a little difficult to see though the beekeeper’s hat with the black mesh obscuring his face.

‘Did you want something?’ He didn’t seem all that friendly all of a sudden, which was odd, seeing as it was his dog that had pushed her over. Maybe he was simply surprised to see a stranger in the garden.

‘Um, I was wondering if you could help me.’

‘Should you be in here?’

‘Yes.’ She realised that entering the walled garden hadn’t been the clever idea she had imagined it to be.

‘Really?’

She wasn’t sure what business it was of his but, wanting his help locating the folly, decided to appeal to his friendlier side. If indeed he possessed one.

 

The Beekeeper’s War is out on July 21st. Find out more about my books at deborahcarr.org.

TWO EVOCATIVE AND INNOVATIVE DUAL TIMELINE ROMANCES FROM ONE MORE CHAPTER

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Dual timeline romances based around the First and Second World Wars are tremendously popular, but these two new summer releases from One More Chapter break the mould: Deborah Carr’s moved between WW1 and WW2, and Eva Glyn’s is set in the former Yugoslavia, a theatre of war in the 1940s that is barely mentioned in modern fiction.

 

The Beekeeper’s War by Deborah Carr, reviewed by Eva Glyn

An unusual dual timeline in that it is set during the First and Second World Wars, but I enjoyed The Beekeeper’s War all the most because of it.

I have read Deborah Carr books before and she is so skilled at recreating believable and accurate historical settings and characters, without ever beating you over the head with it. The history just flows as the natural backdrop for her story, which is of course how it should be but is nonetheless not easy to achieve.

The novel opens in 1916 when two friends from Jersey, Pru and Jean, are nursing wounded soldiers. Despite herself, Pru begins to fall for a handsome airman Jack who visits Ashbury Manor and is a close friend of the son of the house, Monty, who is a patient there. Jack is still very much on active service and the book opens with a scene of him escaping his German captors a year later, so we know this affair is not going to run smoothly.

In 1940 Pru’s daughter Emma finds herself at Ashbury to stay with her mother’s friends, determined to unlock some secrets from the past. To say more would spoil this story and that I don’t want to do, because it is such an enjoyable read I’d like you to find out for yourself.

 

An Island of Secrets by Eva Glyn, reviewed by Kitty Wilson

I raced through this novel over the course of two days and was thoroughly swept into the story of Guy and Ivka, as well as that of Leo and Andrej. The only drawback being that it ended too quickly and I should have savoured it.

It is written as a dual timeline and is seamlessly woven together as Leo goes in search of answers to outstanding questions her elderly grandfather has about his time in Yugoslavia (as it was) in the Second World War. I found the story of Guy as an SOE operative on the isle of Vis truly compelling and Eva Glyn writes with a sensitivity and insight that comes across on every single page. She truly bought home the scenes where Guy witnessed the horrors of war and I was totally pulled into the story as he battled with the choices he had to make.

From the very start of his first meeting with Ivka I was so invested in their relationship, they seemed like a natural good fit and I couldn’t help but respect the courage both of them showed on a daily basis. In fact, all the characters were written in a way that had you aware of their flaws but thoroughly rooting for their success.

But for me the most outstanding element of this fabulous novel was Eva Glyn’s way of conjuring the isle of Vis in the reader’s mind, she had me there seeing and smelling and feeling the scenery and made me feel that I could truly inhabit her characters’ world.

Overall, I found this novel to expertly crafted and cannot recommend it highly enough, it is a deeply impactful and emotionally powerful read and the story of Guy and Ivka in particular will stay with me for a very long time.

 

 

 

 

SUNDAY SCENE: EVA GLYN ON HER FAVOURITE SCENE FROM AN ISLAND OF SECRETS

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It’s every writer’s dream, isn’t it? To sit in the exotic location where you’ve set your book and actually write the scene. From exactly the same place as your character; to see what they see, hear what they hear, smell what they smell. Well, one morning when I was on the Croatian island of Vis researching An Island of Secrets, I made it happen when early one morning I picked up my notebook and strolled down to the harbour…

 

Although a few cafés were open at this hour Leo had chosen one in front of a broad flight of steps in a corner of the harbour, its tables tucked back into a narrow space between a pizzeria and a bakery. Not the one where she usually bought her bread, but today that might change too. Or it might not. If she was to stay in Komiža then something damn well had to – she’d been here a month and she couldn’t go on as she was.

Cigarette smoke drifted around her and music was playing from a radio further down the quay. A few local people were about and the crew of one of the holiday yachts moored on the mole had settled at a table somewhere behind her, but generally there was an air of peace about the place and she felt herself relax. A scrawny black and white cat with the swagger of a prize-fighter strolled past, but the tiny tabby cleaning itself under one of the chairs seemed unimpressed.

There were two reasons she had chosen this place to have her coffee. The first was that she could see The Fishermen’s House from here, and the second that yesterday she had found a photo from 1944 in the online archive of a museum in Split and she was pretty sure she recognised where it had been taken.

She pulled out her phone and looked again. Yes, that was definitely the narrow building where the tobacco shop now was, and the distinctive carved lintels above the windows of the property directly to her right were in the picture too. The palm trees were in the correct places, although in the photo they were barely taller than the men and now they towered more than four storeys high.

She had scanned the faces of the commandos in vain for anyone who looked vaguely like Grandad. But although she had been disappointed, she knew he might recognise some of the men and the thought made her tingle with excitement; she had already emailed the photo to Auntie Mo so she could show it to him. It was progress of a sort and there was pitifully little else to say. How the hell did you find out about some random woman who lived sixty years ago in a foreign land? Especially when you weren’t entirely sure who that woman was.

 

Leo is in Komiza to try to find out what happened to the woman her grandfather, Guy Barclay, had to leave behind when his commando unit pulled out in 1944. When Guy first arrived on Vis, the only part of Yugoslavia not occupied by the Germans, his mission had seemed straight forward, but then he stumbled across a brutal execution on a remote hillside that changed everything.

These executions – of female partisan fighters who had fraternised with their male colleagues – really happened, and at the time their British allies were powerless to do anything about it. But it made me wonder, what if one of them had tried? I had my hero and I had my story.

 

Find out more about my books set in Croatia at evaglynauthor.com

 

 

 

 

 

SUNDAY SCENE: JEN GILROY ON HER FAVOURITE SCENE FROM THE SWEETHEART LOCKET

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My latest book is The Sweetheart Locket, released in ebook in March from Orion Dash with a paperback following later this year. Inspired by the ‘sweetheart jewellery’ members of the armed forces gave to loved ones at home, it’s a Second World War dual-time novel of love, loss and family secrets, wrapped up in courage, loyalty and hope.

Spanning four countries and two continents, most of the story is set in England in places which have shaped my own life. Although I now live in Canada, I lived in England for many years, first to undertake postgraduate studies at University College London in the heart of Bloomsbury.

From student days long ago, London became my favourite city—the red double-decker buses and black taxis I’d seen in films; buildings, roads and parks familiar from my bookish childhood; and several thousand years of history under my feet.

In both the historical and contemporary strands of The Sweetheart Locket, London, and Bloomsbury in particular, have a starring role. Maggie, the heroine of the historical story lives in a hostel in Bloomsbury near where I once did, and important scenes take place in Russell Square Gardens, Russell Square Underground Station and Cartwright Gardens.

When Willow, the forty-something granddaughter Maggie never met, arrives in London from San Francisco for a work trip, she marvels she’s ‘finally here where her gran had once lived and walking along streets she might have known.’

My favourite scene comes from the historical story. It takes place in September 1939, soon after Maggie, a Canadian who’d been sent to school in England, defies her family, tears up her ticket home and decides to stay in London and ‘do her bit’ for the war effort.

Maggie crossed the road by the stately Hotel Russell and turned towards Russell Square where men piled sandbags around nearby buildings. One of the many signs that London was a city at war.

At eighteen, Maggie finds an office job and makes new friends, Evie and her brother, Will. This friendship sets Maggie’s life on a new path—one that later shapes Willow’s life too.

[Maggie] turned into [Russell] Square and found a bench in a sunny corner near a horse chestnut tree, spiny seedpods almost ready to split and scatter mahogany-brown conkers onto the path below.

…Although she’d escaped from her old life, at night in the hostel she couldn’t escape from herself and the thoughts that swarmed in her head like incessant insects. Unlike the men stacking sandbags, she wasn’t doing something useful for the war…Albeit in a different way, it was a kind of prison like her family and school had been.

As she talks with Evie and Will, Maggie realizes that for the first time in her life she’s an independent adult who can make her own decisions.

Will’s gaze was warm, and Maggie’s tummy lurched in a new but not unpleasant way.

Along with those fragments of her ticket, she’d thrown out the girl she used to be but who was the woman she might become?

Maggie in 1939 and Willow in 2019 are both at turning points in their lives. Connected by Maggie’s wartime Royal Air Force sweetheart locket, they’re on a quest discover who they are, what they want and, ultimately, find the courage to follow their dreams.

‘The three of us will be good friends, I know it.’ Evie tucked her arm into Maggie’s.

Maggie knew it too. Her old story was over and the new one had begun.

 

 

Connect with Jen: www.jengilroy.com

 

 

 

 

 

SUNDAY SCENE: VICKI BEEBY ON HER FAVOURITE SCENE FROM A NEW START FOR THE WRENS

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The first time I visited Orkney, I’d gone to visit the fascinating Neolithic sites. However, I was surprised to find other, much more recent remains – the leftovers of Orkney’s wartime heritage. Along with ancient stone circles, tombs and stone houses, I saw concrete gun emplacements and the buildings still standing in Lyness on Hoy where there had been a huge naval base. Until then I hadn’t known about the large presence of the armed forces in Orkney during the war but after that I threw myself into research. When I learned that a lot of Wrens were posted to Orkney, it fired my imagination and I started to wonder what it must have been like for the young women who left the comforts of their homes to serve in Orkney.

It was a couple of years before I was able to start my story, and one of the first decisions I had to make when planning it was whether to make the setting wholly real or if I should blend real settings with fictional ones. In the end, lockdown made up my mind for me. The research trip I’d planned had to be postponed indefinitely and yet my deadlines were fixed and looming. As I was going to have to rely on my memories of my visit, plus maps and books, it made sense to create a fictional signal station where my Wrens would be based.

In the book they are tasked with challenging and monitoring all shipping entering and leaving Hoy Sound, the entrance to Scapa Flow, which was the wartime anchorage for Britain’s Home Fleet. I made up a headland, which I called Kyeness, where the signal station would be based, placing it just outside Stromness. Now I’m writing the third book in the series, it feels like a very real place to me, up on a high headland with stunning views across Hoy Sound, with the Hoy Hills beyond.

Another fictional location is the Wrennery, the large old house where the Wrens are billeted. However, it’s located in Stromness. It’s one of my favourite places in Orkney, with its narrow, winding streets and stunning views across the harbour. In one of my favourite scenes in the book, Iris, the heroine, goes for a walk with her sweetheart while recovering from a terrifying experience the night before. The route I describe is all real, starting in Stromness, and I spent ages studying maps and Google Street View, hoping I didn’t get anything wrong. When I visited Orkney again last November, I followed the same route myself and was relieved to find I’d described the scene correctly, although with the addition of barrage balloons and warships!

‘… they walked out of Stromness on the Howe Road. The road climbed steadily until, looking back, Iris could see across Scapa Flow. The waters were now still and a clear blue, reflecting the sunlit sky. ‘It’s hard to believe it was so stormy out there last night.’ With the daffodils dancing in the breeze along the verges and even the barrage balloons gleaming in the sunshine, Iris felt the lingering fear of the night fall away. Far across the bay, she could see the faint outline of ships at anchor. At that distance, the water looked like silver, the ships set upon the surface like toys. Thoughts of yesterday’s stormy weather and those terrifying moments when she was being dragged beneath the water were fast fading like a half-remembered nightmare.’

 

 

To find out more about me and my books, please visit my website: vickibeeby.co.uk

 

 

 

 

JANE CABLE REVIEWS TWO STUNNING WORLD WAR TWO DUAL TIMELINE ROMANCES

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I love a World War Two dual timeline novel. In fact I love them so much I’ve written one with my Eva Glyn hat on and it will be out this summer. However this article is not about me, it’s about two excellent writers who have created very different books in the genre, both out this week.

 

The Sweetheart Locket by Jen Gilroy

I love Jen Gilroy’s contemporary romances but this is her first foray into a dual timeline and I enjoyed it just as much. It was refreshing to have a modern main character who isn’t British and it brought an interesting take to the way the story was told, for example Willow’s lack of assumed knowledge about her grandmother’s World War Two story.

Her grandmother, Maggie, wasn’t British either but a Canadian who decided to stay in England to help fight the Nazi threat rather than go home, and this added an extra layer too. Her initial sense of isolation meant that she forged strong bonds and the stories of her closest friends’ wars were skilfully wound through her own, making the novel all the more compelling.

Although there are romances running through each timeline, other important relationships are explored. Willow’s difficult one with her mother Millie added depth to the story and for me it was one of the most important to be resolved, and there was a beautiful echo in Millie’s relationship with Maggie too.

The choices that the women (and men) of each generation have to make are vivid yet relatable and once I had settled into the book I found it very hard to put down.

The Sweetheart Locket is published by Orion Dash on 17th March

 

The Postcard from Italy by Angela Petch

From the moment the airman wakes and remembers nothing of who he is, I was hooked on his story and spent many happy hours wondering how on earth it could be resolved. I like that in a book; I like to be kept guessing, and wishing for the happiness of characters an author is clever enough to make me care about.

I also revelled in being lost in Italy, both in the 1940s and in the present day. Angela Petch has a fantastic knowledge of the country and that means both her settings and her research are impeccable. The wonderful descriptions of the landscape, the people, the food… it drew me in in a way that meant I could feel the sun on my back and a visit to Puglia is now definitely on my bucket list.

Every character is perfectly crafted, even those with little more than walk on parts, such as the village priest who dances the night away at a wedding. Little by little you come to know them as their stories unfold, their misunderstandings play out and ultimately the mystery of exactly how the airmen fits into both his past – and the future – is resolved.

The Postcard from Italy is published by Bookouture on 16th March

 

 

 

 

 

 

 

 

 

 

 

 

GIRLS, GIRLS, GIRLS – Jane Cable reviews two World War Two sagas

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Although I am about to review two excellent books I have a bugbear I need to share. Not just aimed at these two, but at the saga publishing world in general. Why, oh why, do books featuring grown women have to refer to them as girls? Yes, I know it’s become a shorthand that readers recognise, but it still grates on me. Oh well…

It is particularly the case in point with Maisie Thomas’s The Railway Girls, because one of the most engaging and interesting characters in Dot, who is well into her forties. She is the sort of woman who organises and takes care of everyone to her own detriment, but determined to strike out and help the war effort, through which she is to find a great deal of self respect.

That is the premise of this excellent book; women from different backgrounds who were thrown together in 1940 to help keep the nation’s vital railways running. The challenges they face, the friendships they form and even their romances weave together into an utterly believable tapestry, depicting wartime Manchester as it surely was.

Thomas’s research must have been meticulous but it is the richness of her storytelling that had me hooked. The detailed descriptions fitted so easily into the narrative the pictures were painted as the story moved along, and that is a rare talent. There is quite an extensive cast of characters too; not only Dot, Joan and Mabel, who will be the focus of the series, but other railway workers as well as their families at home.

For a debut novel this is stunning writing, perfectly paced and never rushed, a slow and realistic journey through the phoney war, Dunkirk and into the beginnings of the blitz.

Vicky Beeby’s The Ops Room Girls is equally enjoyable but totally different. Here the story gallops along, making it difficult to put down, and there were places towards the end when my heart was actually thudding.

Again it features three women, but all of them are young and from modest backgrounds although they all join the WAAF for different reasons. This book (also the first in a series) focuses on Evie, a working class girl whose scholarship to an Oxford college was ripped away from her. The characterisation in this book is so good I was feeling for her within the first few pages and really wanted to know where her story was going.

The answer is the operations room of an airfield in West Sussex, where she arrives in the summer of 1940. She makes friends with glamourous former actress Jess and shy May who has been perpetually put down by her father and brothers. All of them are escaping from something but become totally committed to the war effort.

I expected this, and I expected love stories, but what made this book stand out is the mystery that had to be solved as sabotage rears its ugly head on the base. It is a compelling plot strand that certainly kept me turning the pages.

 

The Railway Girls by Maisie Thomas is published by Arrow and paperbacks and ebooks are available now. The Ops Room Girls by Vicki Beeby will be published as an ebook by Canelo on July 16th but can be ordered beforehand.